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The New Zealand Poultry, Pigeon & Cage Bird Association 2016 Show, Dunedin

31/5/2016

 
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We are both notional bird fanciers, R especially since his earliest years as a little r breeding budgies and canaries, so when our friend Tenoch informed us that she was covering the regional bird show as part of her journalism course we were enthusiastic accomplices.  Bird shows are like catnip and indeed crack cocaine to the aspiring fowl enthusiast.

​It's an old-school scene undergoing something of a renaissance with the increasing popularity of domestic poultry in general and fancy breeds in particular.  We're pleased to witness any trend that might reconnect urban people with their fellow creatures and remind them of our relation to, and reliance upon other species.  

Perhaps you don't care for the thought of birds in small cages; neither do we, but the ones you see here are just judging units designed to keep stress to a minimum on these two days a year when the birds are assembled for the purposes of highly particular comparison. 
These guys are all accustomed to human interaction and lead pretty enviable lives outside the show ring on farms and lifestyle blocks.  None seemed unduly perturbed by proceedings, something you might be able to ascertain from the pictures we took.  Another encouraging trend was the appearance of organic drenches and insecticidal agents on the sales table; birds both wild and domestic are subject to parasites, and the fanciers' world was previously awash in hardcore toxic compounds.  It's great to see them being relegated.

Chickens come in a dizzying array of shapes and sizes with Bantams representing the smaller end of the spectrum and heavy breeds being the largest.  Confusingly, some breeds come in two size versions so a trip round the various cage lanes can make you question your relationship with the physical universe as identical birds appear to shrink and expand every time you look away.  

How big is a chicken anyway?  A small Game-type bantam may be scarcely two hands high on tiptoes and so closely-feathered and elegant that it looks more like a tiny bipedal dinosaur than a bird, while the largest breeds are huge pillowy beasts with spangled bouffant manes and massive day-glow headgear.  We'll try to name the breeds depicted here but will undoubtedly get some of this shit wrong, so apologies in advance for our ignorance.  ABOVE a fine Chinese Silkie Bantam rooster with his alluringly gelatinous lilac wattles.
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LEFT  Unknown ginger Bantam- possibly an Old English Game.  ABOVE  a fine Rosecomb Bantam, one of my favourite varieties and possible future feathered friend. 
The white earlobe is apparently the mark of a good laying breed (although Rosecombs have an uncertain reputation in this respect); in life it has an intriguing and tempting textural quality, looking exactly like a squashed milk-bottle lolly or expensive marshmallow.  I wanted to touch it quite badly.
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ABOVE LEFT another Silkie mister.  The smaller breeds seemed to be the freest with their remarks and walking around a hall packed with competitive roosters of every description is not a sound one soon forgets.  The heavy birds tend to be baritones, producing rich, almost laconic crows while some of the little guys have shrill, gurgling and peculiarly disorganized outbursts that once again recall their saurian forerunners.  

ABOVE RIGHT a splendid Rhode Island Red rooster.  They might be the archetypal chicken but there is nothing basic about this breed; the lustre of their mahogany and peacock-green plumage is difficult to capture in this crap light.  

LEFT a stoic Barred Plymouth Rock rooster.  The difference in temperament between breeds and individual birds was very apparent; we didn't photograph the ones that seemed to object to our proximity. 
 But a lot of them responded to positive attention and particularly liked the shiny lens glass, examining it closely.
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ABOVE  I think this is an Old English Game Bantam.  We were impressed with the hard-feathered lizardy Bantam varieties and will possibly end up getting some for our place, something we've been procrastinating about for a couple of years now.  While researching the various breeds I came across this piece on OEG bantams, with references to the inevitable cockfighting association and the tremendous peanut-headed secret-society bullshit that surrounds this moronic practice.  There are a few lulzs to be had.  BELOW  A fabulous Sussex breeding trio.  Swaggy.
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BELOW  I think this is the Pyle strain of Old English Game and is apparently very prestigious.
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ABOVE  a Welsummer hen?  I know we're getting this wrong, again- sorry about that.
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On to the ducks.  

ABOVE  We were confronted by a wall of white Penkins who had a lot to say about their confinement, all the other ducks they were going to beat down, the inferior status of chickens and the inadequacy of their human servitors.  Walking past these ducks made us feel like hapless junior defence lawyers negotiating the Aryan Nation section of the death row gauntlet.  There were extremely serious threat displays and a shitload of rage-quacking.

RIGHT the exquisite American Wood Duck, Anas sponsa.  There was a lovely pair on show, the first we had ever seen in the flesh; this is the cock bird.  Their colouration is vividly and almost arbitrarily ornamental and yet this is a wild-type animal with very little human intervention in its appearance.  It's great to be able to say this species is doing well after a concerted conservation effort across the US mainland that brought it back from serious decline.
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ABOVE I think these guys are Appleyard Ducks, another first for us.  They were placid and enormous.
​BELOW the highly glamorous Cayuga.  Their plumage is like opalescent moiré satin.
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Muscovy Ducks, Cairina moschata.  I could have sworn these strange fowl were cooked up by some mad duck-altering wattle fanatic but they are actually a species native to South America. They are enormous and pretty phlegmatic in comparison with the angry, entitled Pekins.
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Another chicken interlude.  ABOVE LEFT silver Sebright Bantam.  The hand-painted effect is called lacing.
ABOVE ​RIGHT an impressive Dorking rooster.  This is an ancient, possibly Roman breed ideally possessing five toes.  His comb speaks his truth.  BELOW  not sure about this guy... some sort of bantam; a Silkie variant?
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BELOW  the Leghorn.  They're an Italian laying breed; I thought they were American meat birds, lol.  Durr.
BELOW THEM a ginger Buff Orpington rooster. We were hugely impressed by this breed; so buxom and bouffant.
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Pigeons, which we know even less about than we do chickens.  Or ducks for that matter.  These are the 'fancy' breeds, bred for their exaggerated lines and jewel colours.  I do know that these puffy birds directly below are Pouters.
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The Cage Bird category, home of the budgie, canary and finches etc. There were some seriously dope high-end budgies in the house but this pied guy to the right was the shit if you're asking me.  BELOW AND BOTTOM RIGHT the undeniably spectacular Ringneck Parrot, who, like many people, are ideal companions until they open their mouths.  Despite their metal-scraping shriek, they're a charming and extremely intelligent bird and the sweet moves in this male Ringneck's courting display should be an inspiration to us all.
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Another Rosecomb.  Look at his comb.  Look at it.
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ABOVE I think this superior creature is a lavender Orpington rooster.  He glowed with otherworldly significance under the slightly creepy tungsten hall lighting and expressed the tranquility that is a breed hallmark.

It was nice to see so many contented and highly appreciated animals.  The decline in fowl-keeping was generally attributed to people abandoning rural lifestyles and to industrial egg and meat production, but I'd like to add that the hostile demeanour of certain factions of the bird-fancying establishment has been a problem too.  We've gotten attitude from overly-proprietary stalwarts at shows in the past despite our enthusiasm; possibly not an ideal approach to recruiting interested newcomers.  So while we were too busy taking fifty thousand chicken pictures to talk to many people, it was encouraging to hear from Tenoch that the NZ Bird Association members were very friendly and helpful and represent a great resource for anyone thinking about keeping birds.  You only need to watch a few Youtube posts by chicken enthusiasts to understand how the habit takes hold.

New Zealand NZPPCB page HERE    South Island NZPPCB page HERE    Dunedin Association page HERE
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The show definitely renewed our chicken intentions.
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*   More Photoessays   *   Kitchen Bitch   *   Selected Ravings   *


Monday slash Tuesday slash Poultry Show madness & fuck you Johnny Depp for making me write in defence of bloody Amber Heard.  And Courtney Love, goddammit.

31/5/2016

 
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Our heads are full of chickens and that is no coincidence, seeing that A: they tend to be anyway and B: we attended a local poultry show over the weekend in Northeast Valley.

It's difficult to explain the appeal of rows and rows of freshly shampooed and variously jööjed fowl.  Many were bored. Some enjoyed the attention.  Few could say what they'd otherwise be doing.
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​While we tend to effortlessly attract feral, unfortunate and stray friends of almost every other feathered persuasion, our Japanese Quails are the closest we've ever come to keeping actual domestic poultry.

​It feels a bit weird, going out and actively acquiring chickens when they've never come to us of their own accord but we found a lot of noisy, beady-eyed inspiration at the regional show, so it may yet happen.
By now, some of you will have guessed that this week's piece will be some sort of a visual odyssey through that aforementioned avian array.  Those people are 100% correct. 

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You may not relish chickens, but the world would be a very different place without them.  If they judge us they usually keep it to themselves. There is nothing to fear except fear itself.


Unless you're Johnny Depp.  I've been following the smoke-trailing trajectory of his latest marital venture with an old person's absolute certainty of fiery impact.
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 ​My internal cynic gave Amber Heard's gold-digging game a tentative B; props for selecting a private island-owning, franchise-money whale in personal crisis; lol, that would be my target species too.  Marking it down for... I dunno... a certain basic flavour- obviousness- her tone-deaf hard posing and fumbled dog smuggling stunts.  Then it emerges that Heard alleges Depp smacked her around.

Do I like Amber?  No. I think she probably is a thirsty, odious twat in that very specific way one has to be to succeed in her field.  Do I enjoy Johnny Depp?  No. And I've always been incredulous at the sort of fond regard in which he is held, given that his dim-watt aura, lukewarm intellect, laughable affectations and shrieking decadal addictions have flagged him as unpleasant in private (at the very fucking least) for an eternity.  

​Ultimately, these two are just another pair of rich cunts fighting over money; my primary interest lies in the mirrored stereotypes they represent. Let's look at how their shared attributes are characterised in the media and public opinion- according to gender.

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Beauty: both parties exemplify popular notions of it (JD is still beautiful in most peoples' minds despite, ahem, recent developments).  The difference being that JD's (former) looks underpin his appeal and support his personal integrity, while AH's beauty pours accelerant on her deceptive viper status.  A woman's beauty will always backfire on her, either to conflate her questionable behaviour or to diminish her as it matures away from conventional preference.

Wealth: JD's holdings may outgun AH's at this juncture, but they're both obscenely wealthy people.  JD's Hughesian lifestyle has attracted very little of the odium appropriate to such abject and swinish materialism and will not hurt him now; AH's pale-in-comparison current holdings and speculative avarice are the spinal column of the campaign against her.  Hmmmm.

Fame: JD's fame is just a blameless natural consequence of his personal magnetism and other peoples' insistence on featuring him in movies despite his humble origins and modest manner etc. etc.  It's not like he actively pursues populist franchise film work or crafts a persona specifically designed to attract notoriety. That Amber, tho. Where the fuck did she spring from with all that red carpet fancy dress and insistence on being in films?  Presumptuous ho.

​Sexuality: Rumours have swirled about Depp's baroque practices for a very long time.  But hey, he's a rich dude and that's just what they do.  Unlike respectable women, who do not identify as bisexual like Amber.  That's the worstsexual- not because it is a convenient frame for all the uncomfortably inconstant and slutty projection from the heart of every virtuous observer, bu... 


Amber's probably an unsavoury opportunist who bit off more than she could stash away in secure deposit boxes and I'm 100% sure Depp is a bad drunk with a massive trove of shady, unchecked proclivities.

​The truth is Depp's midlife bad boy bullshit has just blown up in his stupid, sheltered face. Trawl through his interviews and roll both eyes out of your fucking skull at his cringeworthy anecdotes; he has always wanted to play at being the troubled eccentric without ever experiencing any of the blowback that status attracts in real life. To smash shit up knowing his lawyers will square it away later.  Starting fights curated by his security detail.  Aping rock stardom without ever having to endure the usual adversities or indentured service to a label.  And because he is a wealthy male, he has been able to enjoy these privileges until they threw up all over him and passed out in the public spotlight.  His female contemporaries- Courtney Love springs immediately to mind- must envy the endless passes he's received for behaviour that saw them not just criticised, but effectively dehumanised in the media.  I'm not saying Love isn't unsavoury because obviously, but she is a Lilit and a golem in the public imagination for exactly the same shit.  

Depp has two kids.  Imagine how long a female parent exhibiting the same behaviours would have retained custodial rights.

A couple of Depp's former partners have come out in weirdly orchestrated defence of his character and a lot of people will eat this special pleading up with a spoon, even though neither woman could stomach him in their own lives.  I just don't believe that Depp is exclusively gentle and trustworthy with intimates who stray from an indulgent role because A: nobody is, and B: he's already thoroughly documented his own bad character in the course of presenting his imagined Byronic qualifications. The narcissist's inclination to abuse is directly commensurate with the likelihood of avoiding detection and reprisal, unless intoxicants loosen the bounds of the self-interest they cherish.  Why is it hard to imagine that someone who repeatedly brags about their infantile temper, previous violent engagements, lack of moral rigour and tenuous 
relationship with reality might pop a bitch in the face in the middle of a three-month bender?
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I hope this is some kind of cautionary tale to all the clueless lovelies out there who look at this sort of scaly motherfucker and see a redemptive fixer-upper opportunity.  If Depp was a used car you'd leave him on the lot, because you know better.  Always keep that in mind.

Inverting a situation is always a nice test of its fundamentals. If Johnny Depp had documented and released physical evidence of spousal abuse against his own person, very few people would have publicly doubted Amber Heard had clocked him during an argument.  His self-celebrated addictions would have been used in defence of the machismo that suffered the ultimate indignity of effective feminine assault.  His wealth would be framed merely as the target of AH's predacious intent, not an instrument of oppression or punitive sanction.  And all his other fucked-up unfunny dysfunctional bollocks would have been shrugged away as a famous man's prerogative.


Feminism: still think it's a bit over the top?

*   The Ravings are Selected   *


liked these vapour images by Nick Taylor

30/5/2016

 
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Vapour II
'Code-based explorations of turbulent particle systems and vivid colour transitions'

I don't really know what that means but I don't think that matters.  See more of this great series here.

The Blackthorn Orphans Serialization:  Reconnaissance 5

28/5/2016

 
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Though low clouds hung like smoke about the hilltops, the evening was warm beneath them, darkness settling its folds around the house and garden.  Susan watched William’s car along the road through her bedroom window, the Jaguar passing pools of streetlight like a fish heading downstream.  She took advantage of the solitude to play her own music and wander on another of her expeditions, standing with her arms crossed under the atavistic taxidermy, then on tiptoe to smell the shaggy, disembodied hides and run her hands along the teeth and horns.  Furniture and objet performed a slow, disorientating circuit, shuttling between rooms and floors as though at the behest of some impelling gease.  The mansion stretched its legs in its owners' absence, its stiff, ligneous groans resounding as the night cooled, the structure settling like a giant in its bed.  In its sedate remove the park became an untended wood and the house a summer palace, forgotten for the winter by inhabitants who had taken their gallantries and shortcomings elsewhere, its lustre lost to her amid the tract of lonely chambers.    

Returning to her own room Susan sat beside the casement in her nightdress, the magazine she had abandoned lying open at its first page.  While the house exhaled warmth during the day, sunset drew the night in through the open window, laden with the dark, pagan smell of elms and hornbeams.  She got up and walked to the kitchenette, holding her hair back as she stooped to light a cigarette from the stovetop.  Catching her reflection in the window she pondered it from both sides, then gave up, vanity exhausted, settling on the bed with the quilt arranged about her legs.  Comfortably ensconced, she was reminded of the portable turntable she had dredged from the garage by its needle bumping against the label and convinced herself she could ignore it, flipping determinedly through the magazine until she swore and threw down her feet to obey its tireless summons.

Subordinated beneath the hiss and pop of the oscillating vinyl and the shuddering of the refrigerator cycle she discovered another sound, low and crisp and intermittent, the passage of animate weight through the rugosa hedge embracing the foot of the white plaster wall.  She stowed the needle and stood in silence by the turntable.  A moon outlined the crawling clouds in glowing white and cool perse blue, its slim curve like the blade of an Arab sword.  Cruciform shadows lay on the boards in the passage outside, glimpsed in section through the door that she had left ajar while the restive sounds dragged back the gnawed, demonic utterance she had struggled to efface, the smell of blood rising on steam from the laundry tub filling her throat with a prickling catch.  She swallowed hard, but was forced to cough once into her hands.  

The noise ceased.  A bird called an abortive note from the elm as though startled from a dream.  The sight of her own reflection in the pane over the bed, its pallor and the shadows draped beneath her eyes administered a fright that pressed both fists to her breast; the shuffling recommenced, gathered by a rough, concerted foray into the body of the roses and culminating in the taut crack of a branch, its stiff thorns scraping the parched plaster.  The window stood like a hole gaping in ship plate at the bottom of an ocean.  Susan whispered to herself and crept onto the bed, the old springs groaning underneath her as she leant across the sill to dart a hand toward the casement.  It was achingly distant, her bare skin silvered by the moon over a yawning darkness, silent until an arid squeal was answered by a heavy, rasping slide as something found and began to climb the unseen wall below.

She jerked back her hand and sat on her heels.  Outside, whatever ascended observed the same precipitate silence as though in mocking imitation until she felt that to move was to give it license to do the same and pressed her eyes closed, turning her head from the brass lamp perched before the pane.  When she leant onto her hands, the climber scuffed the narrow oak framing and committed weight to the crumbling black ledge.  Susan screwed up her face and threw herself at the latch, the sill bruising her hip as she strove for it; a gouging shriek kicked off a tight, explosive rush against the plaster and as she cried out and toppled backward a white blur lashed up at her arm.   

William carried two bottles of vodka under each arm, halted in the entrance hall by the smell of cooling blood.  He thought it at first an artifact of the house itself, the timbers' oaken darkness sometimes exhaling a kindred note with evening, but the mortal scent lifted its face to him as he questioned it further and he set the bottles down.  Moving slowly in the silence he drew the handgun from the back of his jeans and reached behind himself to lock the garage door.

The balustrade made no complaint at his scaling of its carven framework.  Climbing onto the heavy handrail where it turned into the second flight with the pistol between his teeth, he jumped at the floor overhead, easing himself over and letting himself down onto the boards without a sound.  With eyes and ears he scanned the darkness of the hall in both directions, discovering fat little circles of soupy red forming a trail along the floor, resisted by the tight, stout weave of the rugs where it had wandered over them.

"Christabel..." he called, discreetly.  The blood led him into his own rooms, impressed in narrow footprints around his piled clothes and a red smear across the chest at the end of the tester frame.  He followed it to the bathroom door where it was painted liberally around the handle.  The shapes blurred, overlaid by all the other portals to that sight he knew awaited him, one hundred other disallowed companions, bloodless, beaten, strung or disarticulated according to the inexorable will that trailed him, the wailing of their kin rising all around.  For a moment William stood without being able to command his hand, the curing blood like some dire, debarring seal until he raised an arm and pushed once at the door.  It swung inward and halted halfway from the wall. 

Susan's body had gathered loosely behind her knees between the white tiled wall and the end of the deep footed tub.  Her eyes were closed and a plum-coloured bruise marked her forehead.  The shape under his foot became the cord of the brass lamp at her feet, its base half-caved and spattered darkly.  The pathos of her lonely refuge dispatched his faltering impetus and for a moment he could only stare at the arm she had swathed with black cloth; without a sound, she opened her eyes and slid the limb behind her back.  

Her sentience gave him a moment of thoughtless joy, before whispering such terrible suggestions that his gaze darkened with dread and he murmured against them, setting the pistol on the sink.  She watched him sink to his knees and cried out as he reached for her ankles, extricating her from beside the tub with grim per function.

"Susan... Christabel... this is important... were you were bitten?  It doesn't matter where, just tell me now..."  In twisting away from him she found she could summon no meaningful resistance, sitting spiritless while he pressed a hand to her neck as though it required his last degree of courage.  Her skin replied on her behalf, as luminously warm as he remembered, well-served by the pulse that thudded against the heel of his palm.  Unable to accept such simple certainty he made a survey of her arms and legs, pulling back her nightdress and feeling along her back and over her sides and stomach, his fingers finding unbroken skin instead of sliding into sticky wounds or meeting buried, jagged shapes.  One of his T-shirts wrapped her arm, hastily and ineffectually, and he took the limb in both hands.  "Is this everything?" he urged.  Looking down at it, Susan nodded, eyes flooding thickly as she mashed her face into his shoulder, loosing a rough, spluttering sob.  “Ishah i’sidati...” he whispered, lifting an elated smile toward the ceiling and embracing her in his inapposite delight, mouthing gratitude to his presiding deities.  “Don’t cry, cloudcheeks."  He sagged as she wiped her face and grimaced at the deposit her streaming nose had left on his sleeve.  "Putain de fucking merde de bordel... don't do that to me, Christabel.  Now I need a fucking paramedic." 

"I'm sorry... there's... I put snot on you..." she confessed.

​"Never mind." William sighed, embracing her again, then lifting her elbow and examining her arm.  Her bloodied fingers seemed like those of a severed hand in their listless curl; he touched his own to their tips.  "Please tell me you can feel that."

​"I can, just... don't... don't touch it."

The objection seemed senseless, and she relented, at first looking away while he worked the blood-soaked shirt loose, then down at the fuzzy lines and clotted red of the lacerations.  They ran in slack, skewed concert from the inside of her elbow to where they had torn free over her wrist, leaving the skin cut away from the flesh beneath and lying in half-translucent ripples.  Another solitary gash had dragged through the upper surface of her forearm before veering toward the others.  They had crossed a series of consequential veins, and three still bled profusely.  Though they gave William little joy they were not the poisoned, blackening ulcers of his worst fears and he plucked a small triangle of broken glass from the largest.  

“Put your finger there, and press hard.  No, hard." he insisted when the digit slid off across her skin.
"What's the time?" she murmured, drawing his frown to the bruise on her head and the diffuse nature of her gaze.  With shreds torn from a length of towel he contrived a peculiar braided dressing, winding it onto her limb like maypole ribbon.
"Are you thirsty?  Feel sick?" he inquired.  She shook her head while he examined her eyes intently.  "No flashing lights?  Can you hear okay?"  Her skull seemed free of the pulpy depressions and slashes of blackened red that he sought so assiduously, stroking back her hair, but he leant in toward her ears and mouth to discount the faint, varnish-like scent of leaking fluids.
"I'm alright." Susan sighed, eyes closed.
“Clench your fist.” he instructed, adjusting the tightness of the final knot.  "Okay... what happened?"

She spoke between involuntary breaths, leaning forward onto her left arm.

“My room... I was in my room, and I thought I heard... I went to close the window, and they were coming up the wall...”
“You're three floors up.”
“No, I mean... they tried to.”  The little exposition defeated her.  "Then... something... I think the window broke, and they fell.”

Again he allowed his attention to extend outward through the empty rooms.  

“Stay here.  I'll have a look.” he told her.  Susan used the edge of the basin to haul herself to her feet, the white tiles bowing violently toward her when she followed him, forcing her to stagger sideways with her arms out.  He turned back in time to make a lurching save at which she shrieked and seized a handful of his hair.  “If you were a baby monkey that would be cute.” he exclaimed, head dragged sideways in her grasp. 
"You'll drop me!"
"I won't drop you."  She held on grimly as he attempted to unload her on to the bed, a dark stain creeping across her bandage and forcing him to bear her into the hall, her grip on his hair loosening only as he purveyed her to the stairs beneath her apartment.  Susan sat slowly on the lower treads, and he ascended on his own.

An atmosphere of brief, thwarted brutality and the glass scattered across the bedclothes remained to illustrate her story.  The casement hung out over the drop at a strange, defeated angle, the upper hinge ripped free of the wood and the lower rail broken from the stile.  Blood lay in fluted smears across the sill, in dark, soaked rounds upon the quilt and spatters on the floor; glass crunched under his boots when he pulled the bed from the wall and leant out to examine the scene below.  A series of gouges tracked their way up the plaster from the confusion of thorny, flattened roses at its foot.  On the stairs Susan hunched at the sound of him forcing the frame back into shape; he met her in the doorway when she climbed toward him and glanced back over his shoulder at the window.

"There's nothing down there, honestly.  Tell me what they looked like, while it's fresh.”

She shook her head.

“I don't know... I hit my head, and after that... there's really nothing.  I can't see them.” she admitted gravely.  In her need to fashion something coherent she found it easier to keep her eyes from him.  "That night in the laundry, when there was someone outside... it was... like that, but, it’s... there’s something...”  She stared at the moonlit window.  "It's mad.  Why would you do this?"  Like chimes troubled in a distant room, aspects of her discourse struck him, tugging at the cords binding a great black prodigy; it relished her description as a demon dotes upon the final syllables of an invocation.  “I know this sounds mental, but they didn't look like a person... I mean, a normal person.”  Susan shook her head against her hand and wrestled again with images that fragmented under the force she brought to bear.  "I had the lamp... I hit them hard... they had hold of my arm and the window broke, then... she fell...”  In grappling with the events in sequence she stumbled on a homologue and looked up, opening her good hand toward him.  “My grandmother had this old book, one of those... an almanac.  On one page there were good fairies, the nice ones... then she'd turn over to the evil ones, with teeth and horrible faces.  That's what I see.”
“White, black, in between?”
“White... very white."
"Female?" he suggested.  She nodded, frowning.  “Big, small?”  She shrugged, then looked up at him.
“I... big.  Like you.  But I can't see any more than that.  It's just... a stupid... blur.”  

Standing in the darkness with his back to the cold glow of the window, William seemed to become aware of his own unsettling aspect and glanced out through the frame.

“You need to get dressed so I can take you into town.”  

Susan looked down at the ragged stains on the front of her gown and shook her head again emphatically.

"No doctors.  Just get me something out of there." she sighed, nodding at the dresser.

"Christabel, don't be a mental case.  I'm taking you to an ER."

"No... I'm not going to a bloody hospital..."  Her stare followed his own, even as he closed his eyes to evade its imploring petition.  "Could you not just clean it up for me or something?"
"Kali ni'ah... poupée..."  He gazed up at the ceiling and let his head fall to one side.  "I could stitch it, but it'll be a long time, not a good time, and I don't know if I can... your little face would be looking right at me."  She looked away, despondent. "Alright..." he groaned.  "I'll try."

​“What about the guard?” she asked wearily as he assisted her down the stairs.
“If he’s dead, he’ll keep, and if he’s alive, he’s fucking fired.  Come on... I’ve got the shit in my room.”  

She held his hand along the corridor.  Words came to her from an almost wave-ridden distance, her own name, then the slitting, suede-like noises she recognized as the sounds of her own flesh opening, a tearing snarl leaping up at her and falling away.  Susan stopped and tried to look down at the remembered face.  

“You've got a gun.” she whispered.  "Why?"  
“Get in here and sit your arse down.” he replied.

CONTINUED NEXT WEEK
© céili o'keefe  do not reproduce

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liked this illustration by Victo Ngai 

27/5/2016

 
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ink reader

​from a recent sci-fi, fantasy and mystery collection.  See more of Victo's work here.

RubyHue Lipstick Review: Lipstick Queen Rose (Sinner matte version)

26/5/2016

 
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Yep, I'm decrepit enough to remember the first incarnation of Poppy King's lipstick empire in ye olde 90's and was... how you say... impressed from afar by other peoples' impression of her product, since I never actually bought any.

​This time I thought I should help a sister out and invest despite my lingering amorphous private reservations.


Not sure how that skepticism developed; maybe it was the relentless personality-cult hyping of King herself instead of the specific awesomeness of the lipsticks?  

​That stuff always pings my don't-bother radar.
Damn that thing's unerring accuracy.

It's not that Lipstick Queen Rose Sinner is a horrible product, but it is a mediocre one just as I secretly suspected, for all the line's personal curation and superabundant categories, which I will bitch about later. 

For a start, it's not matte, yo, and that pisses me off because I was specifically looking for a mid-pink to alternate with my favourite, Nars Dolce Vita matte pencil.  Getting a wee bit sick of brands chucking the M-word around without following through with that definitive characteristic.  I'd describe the finish as similar to one of the thicker MAC Amplifieds. 
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Rose is okay-comfortable whilst doggedly persisting in one's consciousness because the formula is quite thick and pigmented with a rather stiff, greasy mouth feel.  It's more just a cheap feeling than an entirely gross one, despite the $36 NZ price tag.  The stodginess is worst during the first couple of uses, presumably because the surface product has degraded slightly, but even so, anything more than a light brushed application revives the effect.
​  
The colour is... well, it's nice enough, except I bought from this line hoping for something less generic.  It's a really flat, one-dimensional camellia or lolly pink that I would describe as neutral in that it will entertain both yellow and blue leanings depending on ambient factors.  These sorts of colours actually suit me (rather than my just liking them) and should be dancing on my face like a tweaky freak on handbag night but Rose is just... pfffvvvfff.  A 6/10 situation.
I get a little bit of dry-down but still: not matte.  There's a persistent degree of slip and even outward migration, especially after a cup of tea.  A faint scent is detectable initially, cardboardy waxes and sweet nut oils but I didn't find it offensive.  While Rose didn't leave my lips parched, it wasn't very moisturising either, which is peculiar given the emollient nature of its composition.

Something nice- your 3.5g of lipstick comes in a classy matte black bullet and a box emblazoned with the sort of hand-drawn high-school art class aesthetic that I enjoy personally so I won't shit on that (however, the gold BP cartouche makes my design eye twitch with its crowded composition arrrghh!).
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Like I already said, some of these objections are pretty personal and it's not like Rose is spectacularly dreadful in any particular direction.  But this price-point is massively bloated with better options; if I'd wanted yawn-pink in an indifferent formula I could have gone to the fucking Maybelline stand and saved myself $20. 

​Maybe your lip situation is too problematic for true mattes and this sort of textural compromise might suit your needs. Personally I'd go for the gorgeous Bite High Pigment or Urban Decay Revolution stuff if that was the case- same dollars and much dreamier formulas.  
Also: (warning- rant) Lipstick Queen's dipshit classification system needs a ruthless edit.  It basically consists of giving separate lipsticks in wildly divergent finishes and even colours same/similar names. The Sinner range is supposedly all matte, the Saint stuff sheer or shiny (descriptions vary), so there's this Rose and another one in a different finish.  WTF.  Then there's a galaxy of miscellaneous stuff in between- random concepts issued under utterly uninformative kutesy kweative names and designations.  Uh huh.  I lost half an hour of my life trying to sort through that bullshit, which gives me extreme cat's bum face and a burning desire not to reward this taxonomic fuckery with precious $$$.
​
Will I wear Lipstick Queen Rose?  Probably.  I paid retail, dammit. Will I bother with its stablemates?  Nope.
L2R: Nars Dolce Vita pencil, Lipstick Queen Rose (Sinner), Bite Rhubarb, MAC Hot Tahiti,
​MAC Whirl, MAC Mehr, MAC Après Chic (LE).
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L2R: Nars Dolce Vita pencil, Lipstick Queen Rose (Sinner), Bite Rhubarb, MAC Hot Tahiti,
​MAC Whirl, MAC Mehr, MAC Après Chic (LE).


Dolce Vita and Whirl are true mattes, Aprés Chic is medium-glossy and you can see Rose falls somewhere between.
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Monday slash Tuesday slash Nine Fathom Foul slash winter finally cometh slash video, bitches

24/5/2016

 
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Well, I was very wrong to bitch about winter not showing up last week, because now it's here doing fairly hardcore butt stuff to us with a tonne of slushy rain and a nice stinging southerly gale.  Annnnd it looks like the first sleet of the season is hissing on the big front windows as I write this.  

​I do prefer cold to heat.  Better wardrobe, nicer bedding, more time for longform writing.

Took < this with the 2nd hand Panasonic Lumix GF1 pocket cam we bought the other day fo cheep.
We like the wee Canon S95, but it has some annoying limitations.  The GF1 isn't as truly pocket-y but came with a nice retro leather belt case which is cool.  Build quality is great too.  I'll comment on its performance in the fullness of time.
Behold: the first ever privately-generated video we've uploaded, a searing visual indictment of mid Otago Harbour from Scott Memorial packed full of sizzling revelations and the kind of technical bravura that keeps Malick up at night in an anxious lather of morphically resonant inadequacy.  Ha ha!  Just kidding.
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It's so fucking weird filming with something the size of your hand; you're thinking this is never going to work.  But it does, I found out how to compress that shit (we sort of hate Quicktime but it came through for us in this respect) and now our discrete experience is a transmissible reality... which is a bit fucking creepy.  And awesome.  So you might be subjected to more.

We've been thinking about doing audio files of the book for a while now, but don't like how we sound during playback.  I sound like a giant evil lisping toad; R is a bit more ear-friendly, so it might yet happen.

Ever wonder what it's really like to live in New Zealand, home of the world's worst impending train-wreck housing bubble and stagnating wages?  Even many of us who currently own our homes are just one or two financial misfortunes away from losing that dubious distinction and joining the ever-swelling ranks of the under-housed and homeless.  
The sociopathic insanity of National's punitive 'housing' policy is best delineated by someone at the pointy end of the crisis; read this great no-bullshit piece by Danielle Bergin in the RNZ News.  She runs a trust trying to get homeless fams into state housing.  Yes, state housing.  Because you need a consultant and two flaming angel swords to win that particular jackpot now.  Is the same unfolding where you live?  It's all starting to sound horribly familiar, isn't it?
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PS: I'm super-busy at the moment writing the next book and making a site for someone else, amongst other things, so it'll probably be another lipstick review this week.  

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Photos du Jour: Wilsonara orchid in bloom

22/5/2016

 
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If you're an orchid murderer but still fancy a plant, this hybrid variety is for you.  

It is subjected to all sorts of abuse; too much light or not enough, aqueous neglect then overwatering, extremely sporadically to nil feeding and zero repottings and yet it flowers reliably every year with these lovely golden spotted blooms.

There's no scent, but I've found that's the case with most visually appealing easy-care orchids.  
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The Blackthorn Orphans Serialization:  Reconnaissance 4

21/5/2016

 
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Opal looked back at Edward as though fearing he would not follow her.  She glared pointedly at the wet brick leading down into the tar-black mouth of a loading bay and waited for him to precede her.  Its sickly rust and iodine odour was born in its proximity to the waterfront at the eastern end of Avalon, amongst the unflagged fishing and smuggling fleets becalmed at the head of the tide.  He stood in the midst of the lane, gazing down at the water tonguing the bluestone.  It had always impressed him darkly that the ocean could hold black as nothing else, wholly swallowing and espousing the reflected night.  Drizzle like the exhalation from some gaping maw wafted and clung to their clothing; Opal hissed to herself and humped her way down the broken steps without him into the vault beyond, where brick walls wept slime and a tin roof admitted streams of water that soaked into snaking cracks in the concrete floor.  Two caged utility lights beamed a white circle in the midst of the warehouse, steam rising from their housing before a curve of folding silver chairs.

A refrigerator truck had deposited its cargo of hungry bodies, still clad in the filthy sweats that had crossed the Mediterranean and Atlantic with them, a few clutching knotted plastic bags and water bottles.  They were younger than the usual trade, uniformly teenaged or just beyond; three dark-clad minders kept them together, punishing intransigence with stock prods and the foaming mouths of mastiffs held on stout, clattering chains.  Catchlights flashed in the back of the animals’ eyes as their great heads snapped at the foul air, the same dull flare written on the glasses overlaying the gazes of the more circumspect trio standing aloof by the truck.  Their habiliment and manner could not have presented more of a contrast to the battered vehicle or its cargo, turned out with the heartless, faceless polish of a luxury-brand catalogue.  Opal chose a chair and Edward sat down slowly beside her as still more of her nocturnal ilk arrived, complaining of the rain.  

Siobhan descended the steps on towering wedge sandals, draped in red feathers the weather had pasted into drooping tufts, face screwed in a pinched moue of suspicion.  It spat a cackle at the back of Opal’s head as it passed behind her and was lost amid its cronies while the smuggled youths were driven to the margins of the spotlight, their handlers using the dogs to push them, blinking and reluctant, before the arc of seated observers.  With the prods they singled out the first selection, a slight young man who might have fled Khartoum or Mogadishu, his red T-shirt sporting the name of a popular softdrink in a stroke of horrible irony.

"So much better than the local garbage, my god... it all comes though Italy, apparently.  How much would you love access to this every day?" Opal murmured, unwittingly rhetorical, craning her head toward the guesting Continental procurers in the hope of conveying some sort of acknowledgement.  It was obvious to Edward that their superlative supply chain had overcome much of the loudly-stated objection to their presence, at least amongst those susceptible to the persuasion penned in the glare before them.  The leathery reek of fear and slavering dogs dragged him back to a hundred such scenes of his own remembrance, from the dust-blown, mud-walled pens of oasis towns to the black filigree cages of French and Ottoman brothels, their inmates regarding him with the same voided expression.  His own eye made a dispassionate assay of the faces beneath the lamps, imposing criteria infinitely refined by repetition.  “I’ve made some calls on your behalf." Opal remarked.  "They're more than happy to set up a meeting and I would seize that day if I were you.”

She leant out from her seat to examine a girl shoved forward for consideration.  Having fled the Caucasus, she possessed the dark-eyed parochial beauty discerning princes had once sought for their harams; one of the gangsters groped his way into the spotlight and took hold of her head, prising back her lips and revealing her teeth as evidence of her robust wellbeing.  When she kicked him and almost wrested free the guard strapped her with a short black length of hose.  Edward tasted the ground with her, knowing every inch and moment of the cut dealt to her shoulder, blinking against the tail end of the blow that lashed around and caught their faces, the cold, remembered burn turning him toward the rain that wept in the doorway.  The brindle canine lunged, seizing the girl's thigh in its mouth and wrenching her on stiff, splayed legs across the concrete, her complaints climbing into high-pitched screams.  Opal sat back and muttered beneath the gurgling laughter from Siobhan’s contingent.  

“I'm sure you're aware the police are looking for Ms Frost as we speak over the small matter of mordida failure, in addition to the recent disappearance of her manager...”  Her eyes puckered into slits.  "Astonishingly stupid of you at this point in time.  So, to recap... dump the callgirl in a waste station somewhere, issue your brother with a trespass order and I want you to get rid of that maid... I don't like the eyes on that one.  She was a mistake."  Edward did not have to speak over the look he gave her, and Opal shook her head.  “That’s a shame for you, it really will be.  Expensive, too.  I've never liked the police... they're so difficult to manage once they're involved in anything... but sometimes we must do evil to effect good."

He stood and drew his coat together.  

"Don't ever come to the house again." he told her.  Glancing at Siobhan as the latter strove for a better view of their dispute, he departed alone, glad of the empty night that met him in the lane outside.
​
CONTINUED NEXT WEEK
© céili o'keefe  do not reproduce

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Photo du Jour: Felix waits while I'm in town + something that I learned from a poodle.

20/5/2016

 
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We have agreed routines and I am not permitted to deviate.

Felix has the most discernment of any dog I've ever encountered.  He can tell the time to within about 5 minutes, knows exactly which of my thousand items of essentially featureless black clothing mean I'm staying home or going out, and if going out, which ones mean he will be coming with us.  Walking through the kitchen a certain way means I am going out into the exciting dog-positive garden and not just hanging boring washing.  A weekend is two days; three is extra and different.  

Most curiously of all, he seems to know the difference between visitors who are a one-off occurrence and those who are likely to be more regular, right from their first visit, treating the former casually but immediately engaging the latter in a far more considered program of study, ranking and approval.  Which reminds me how socially sophisticated an intelligent dog really is; their perception of subtle cues is far better than our own.  It must be difficult to accept the preeminence of our oafish verbal modus. 

I've only recently noticed the really nuanced range of glances he uses to try and direct our attention; the disparity in our height makes it difficult, I suppose.  The other day while we were minding Hamish (my mother's dog), I asked Felix where he was, and he led me down from the upper garden past the house, glancing briefly, but quite pointedly, at the kitchen door on his way to the front gate (where he was planning to bark at someone).  Hamish was inside on the couch.  It struck me that these indicative looks were in fact his primary means of communication, that he could tell me exactly where Hamish was in passing without taking me directly to him, as is our stupidly literal, anthropocentric expectation.

Placing too much emphasis on the wrong cues is a difficult habit to shake, but I think it might be an extremely valuable lesson.  Thanks, Foofy.

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RubyHue Lipstick Review: Mac Lip Pencils- Cherry, Brick, Soar, Beet, Magenta, Vino, Nightmoth, Auburn, Stone

17/5/2016

 
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Apologies in advance for the imperfect presentation of these pencils, but I aint sharpening no $$$ worth of product away to please no OCD types out there *gobs into spittoon*

​So, MAC lip pencils.  Have they started to feel a bit redundant to you, what with all these neo and liquid mattes happening in the last few years?  They were standard goth and drag wear in the nineties and noughties, standing in for all those big reds and dark wines yet to be incarnated into lipstick form.  

​Now it's all wall-to-wall Kat Von D / Urban Decay superlippies, but back in the day a dramatic glamour seeker had little choice but to pile these things on and white-knuckle it through six hours of parched discomfort.  Do. Not. Recommend. 
I remember dropping all the crazy disco biscuits and still being horribly aware of the Nightmoth et al turning my lips into Moroccan poufs as I shook my shit to Groove is in the Heart. Incidentally, that song is twenty-six years old, people.
Oh well.

​Unless one balm-preps like their life depends on it, MAC lip pencils are murder on the mouth, generally speaking, which is the toll exacted by their ability to stay utterly, stubbornly in place.  Without having tried everything else out there, I'd say they're still fairly unsurpassed in that respect, especially since they don't rub or (shudder) flake like many liquid mattes.  Their low waxy sheen saves them from another liquid matte drawback in that it stops them looking... mmm how do I say this nicely?  

Unsophisticated.   Like your mouth is a piece of powder-coated office furniture.  Or a dying skin graft.  Or the bald spot on a velour bar stool.  Call me a conservative old ho but I'm going loud and proud with this public service announcement: liquid mattes look fucking ratchet. Tacky. Cheap. Minging. Janky. Nasty.  On virtually everyone.  Old enough to legally consume alcohol?  You're too old for liquid mattes.  Too young to drink in bars?  You just get a pass for not knowing better yet.
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I don't wear MAC pencils as much as I used to and never to 'line' i.e salvage a bleed-prone formulation, since I don't really tolerate such defects in contemporary lip products.  I use them to matte shit up.  Correct or alter conventional lipsticks; to tune something that veers toward eww or blah on me or to change the nature of a shade just out of boredom. They can dramatically expand your lipstick wardrobe.
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L2R: Beet, Stone, Nightmoth, Auburn, Soar, Magenta, Vino, Cherry, Brick warm sunlight
Soar and Auburn pull a wide range of neutrals and MLBB shades in a new direction, the latter also working well with reds to create super-pretty russets and chestnuts, as well as taking the hard edge off some too-brown browns.  

Beet and Magenta can salvage and/or shake up a lot of fuchsias and pinks; Vino and Nightmoth drag your disappointing reds and berries into those inky depths you were looking for.  Incidentally, Nightmoth can be built to a solid off-black, and is still the only reliable iteration of this shade that I would recommend for real-world wear.
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Cherry and Brick are sort of slightly generic Ruby Woo and Russian Red-type deals respectively and don't really plug any gaps in my red collection, but I use them underneath some glossier shades when I really don't want them to budge.  Stone does nothing for me.  It's a fucking horrible colour destined for the resale pile since fridge mould/rotten khaki aren't looks I'm really into. I seriously hate Stone with the kind of white heat I reserve for all such stupid Instagram shit and every last damn person I've seen attempting this shade looks like they swapped their mouths for pooty necrotic haemorrhoids. 
Leave Stone alone.  That assessment was brought to you by the magic of buying your own review products.

I don't recommend using any of these pencils without some sort of palliative intervention, especially if you're working them regularly.  Extended all-over coverage will rough up even the most obliging lips. They are are generally so stiff and waxy that a balm-less application can create new lip lines where there were none, sucking the moisture out of your mouth to the extent that they can actually make you feel thirsty.  Tis a terrible irony that the properties that make them so hard-wearing are precisely the ones that render them virtually unwearable; a nice thick, stable balm remediation can make all the difference, but if you suffer chapping or dryness, give them a wide berth.

​MAC lip pencils, eh?  Part of me would pour out a forty if they all died in a fire.  The other part would be relieved.
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Soar, Cherry, Brick, Beet, Magenta, Vino, Nightmoth, Auburn, Stone
a range of natural daylight, no flash.  Yes, this is what Stone really looks like.
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Soar, Cherry, Brick, Beet, Magenta, Vino, Nightmoth, Auburn, Stone
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Monday slash Tuesday slash Brugmansia sanguinea slash Black & Gold

17/5/2016

 
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It's been a slow, flat week so I'll just stick to short sentences.  Everything's... just... not happening.  Even fucking winter hasn't bothered showing up yet, so I'm calling it seasonal lassitude.  Atmospheric enervation.

​Insufficient Equinoctial Fuckitis.
Again with the Red Angel Trumpet ​going mad in the front yard during its autumn flowering. ​I know we shoot this plant a lot but it is especially photogenic.  

​We have this guy and the yellow form below. They are a high-altitude cloud forest species, the most cold/frost-hardy datura, enjoying humidity and sulking in too much heat.  Here they stop flowering when the days start climbing into the 20s C.

Nice capture by R. 
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The second most exciting thing to happen lately was waking up with that fucking Sam Sparro song Black & Gold in my damn head out of entirely nowhere, which is especially weird given its vague deistic sentiment and the fact that I don't generally care for soul.  It happens about twice a year, then I have to hear it three or four times a day for a few days, and pffff; the urge disappears for another twelve months.  I do seriously love the smooth reptilian righteousness of this video, though.  It spins a shitty little budget and a mess of tenuous associations into something utterly apposite and weirdly hypnotic, which is something you don't see every day.

I suppose I should be grateful that the most exciting thing that happened to us recently is still illegal in most countries, including this one.  This is middle age, bitches; you take your thrills where you can get them.

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liked this zodiac monkey by Ivan Belikov 

15/5/2016

 
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His interpretation of the 2016 year of the flaming monkey from the Chinese zodiac.

Zodiacs are bullshit but I'll always brake for flaming primates.

see more of his work here.

The Blackthorn Orphans Serialization:  Reconnaissance 3

14/5/2016

 
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The orchard shivered with darting, olive-green birds and a loose mist of bees as Susan sauntered toward it with a bucket and a pair of scissors she had discovered in the garage.  The afternoon was hotter than she had anticipated though she was not especially inclined to return to the house for a hat.  Edward had made a generous, if hardly self-abnegatory offer of residence to Lilian and the two had passed the first half of the day relocating her few belongings, the process drawn out by delays that occurred both in his suite and in the shuttered garage.  It had been Susan’s resolution to find flowers for her rooms; so engrossed was she in the pursuit that she almost walked into a stranger while rounding the trees at the edge of the orchard.  Stepping back off the man’s shoes, she exclaimed and leant down to retrieve her bucket.  

“Nathaniel Shaw, Trident Security.” he told her, producing a tanned and manicured hand at which she stared, still struggling with his improbability.  "You’re...?”

“Susan.” she replied.

“Susan...?”  Her expression altered again at his use of her name, its kindred vowels afforded fulsome treatment.

“Susan the housekeeper.”

His smile broadened, full of handsome geniality.

​“Oh okay... good to finally meet you."  He set his hands on his hips and looked around them, nodding to himself.  "Interesting place... don’t get too many like this.  Been out here long?”
​

“I don't really know... you lose track of time.” she admitted.  He smiled so easily that the expression had been relieved of some of its effect despite its pulchritude.  “Why do we need a guard all of a sudden?”

His gaze shifted back toward the pool.

“I’m just walking the perimeter right now."  He watched her frown develop as she looked down at the grass.  "Keeping you all safe, I guess."  She shook her head at the gum he offered her.  "Can’t be easy, trying to keep a place like this square.  What part of England are you from?”

“You wouldn’t know it.”

“Always wanted to get over there one day... guess I never get the time.  So these guys... they’re okay?  I just found a new place out this way, so I don’t want to hear that they put you out for nothing...”  Susan bent slightly at the knees, looking through the orchard. 
“I couldn't really tell you... it’s a job and a place to doss.”  He held onto her gaze in the hope that he could stay her, but she had already entered into a move to pass him.
“What do you do for fun around here?”
“I’ll let you know when I find out.” she sighed.  Shaw stepped out of her way and turned with her, meeting the glance she aimed over her shoulder as she walked on toward the trees.

Having gained the orchard she turned south along an avenue of hornbeams that had once formed a pleached walk between the fruit trees and specimen plantings.  It had long since thrown off all constraint and sent its muscular boughs across the lane, casting a shade that cowed the grass and sheltered stands of ferny, speckled hemlock.  That someone had preceded her was apparent in the herbage crushed by careless feet and Susan followed them until the avenue opened into a clearing ringed by lemon-green magnolias, their quilted crimson fruit poised upon the fingers of their mannered branches.  Amid them crouched a large and rotund silver structure, its thick skin creased at the seams with the pressure of the air that held its turrets and spandrels aloft in bulbous association.  William lay on his back on the mattress-like floor, hair hanging over the edge while he read from a handwritten page.  She stood with her mouth open.

“Where did you get a bouncy castle?" she demanded, dropping the bucket. 

“Stoner party hire guy... four weeks for a short pound.” he confessed.  Beside him lay a chunk of drooling caramel-brown honeycomb on a platter of leaves.  “Don’t tell Ed... he hates plastic.  I had them push it over the wall.”  

She approached, wide-eyed, and smoothed both hands over the plump edifice, bending to inhale the evocative smell of its rubberized compounds.  William tucked the letter into his trousers.  

"Is it your birthday or something?" she laughed.
“This is my fortress of solitude.”  
“Oh...”  Susan straightened up as though to leave.
“My fortresses of solitude visiting hours are from one a.m to twelve fifty-nine a.m daily.” he laughed.  “Anything’s better than sharing a floor with the beast with two backs.”  

She shuddered.  

​"I just want to hide in a corner with a blanket over my head.”  

Smiling at the description, he made a gesture of invitation with both hands.

“Girls ride free.”

She clambered up, careful not to disturb his honeycomb.

“I just ran into a security guard.”   
"Mr Shaw...” he smirked.  “Nice piece.  Observant, conscientious... keeps it tight for the ladies.”
“Nosey.” she added, wrinkling her nose.  “Did you think he was fit?”  He lifted his brow and nodded as he sucked the honey sticking to his fingers.  “I suppose he is... I just hate security guards... wherever I’ve worked, they're the ones you need security from.  I’m so used to them being completely dodgy.”
“His vanilla doesn’t make you crazy for him?”  She shook her head.  “His lack of dodginess is... dodgy?  ¡Mierda, Christabel!  You're a hard woman to please.”
“I know.  Anyway...”  Susan clenched both fists and sucked in her lower lip, looking down at him and making a small humming noise of coiled anticipation.  

William sighed, rolling over, and they chuckled as they retired to either side of the castle, then launched themselves into the air, alternating landfalls pushing them higher until they began to surpass the walls and gain rolling views of the trees outside, arms out to expedite their ascents.  For a while they were content with moderate altitude and its various permutations, seeking them conscientiously with each other's aid, her flights floating the flesh loose from her bones at their weightless apex.  Susan flung herself against a wall then down onto her back, innards looping as he bounced her onto her feet; she shoved him face-first into the southern turret and lost control of her own trajectory, catching his shirt and exchanging it for his hands as he used his weight to draw them higher.  Her dress flew up around them in a china-blue flare.  On looking down she saw the floor drop so far away that she cried out, grasping his arms tightly.

"Tourner!" he laughed, letting her go and turning in a circle; she did the same, shrieking again through her hair as the garden reclined in a swooping curve, the sun's especial brilliance allowing her heart to stay behind amid the empty air as she descended.  Three times more she flew skyward, arms spread wide, her eyes streaming, the air a sugared pink inside her chest until she could endure it no more and threw herself down in a state of collapse, lying gasping on the pillowed silver.  William smiled and stalled himself, flipping down from the edge of the castle to reclaim the detritus scattered from his pockets.  His letter flapped beneath her arm and she shaded her eyes to glance at the diminutive, handwritten French in pale blue ink before handing it back to him.  He stepped over her and lay down.

“Bad news?” she asked, still breathless.  He nodded.  “I don’t even know what my friends are doing... I haven’t called anyone since I came over here... don’t know why.”

“Separation tranquility.” he suggested.  The phrase pleased her and she nodded to herself.  The sun lifted the loamy walnut scent of the shaded earth beneath them, the living leaves glowing a hundred greens and diaphanous cellophane golds, Susan losing herself entirely in contemplation of them.  William wished that he could share in her pellucid mood, his own thoughts poisoned by the missive that had come to him so full of the despair consuming its author, her bleak sentiments recorded in the strokes of her anachronistic hand.

His ruminations were disturbed by a bee that began to bumble around the castle, circling close to Susan and seemingly intent upon alighting in her hair.

“Get away!  It’s going to nip me!” she cried, rolling sideways.  He held out his hand and began to speak in a purring tone; the insect buzzed aimlessly for a moment before settling on his wrist and sitting still, wings shivering.  She wrinkled up her nose, regarding the furry miscreant’s apparent master with as much suspicion as the insect itself.  “What are you, king of bees?  Where did you learn that?”

“In Kham, when I was young."  Her naked disbelief solicited him further.  "If you want honey in the mountains, you have to climb up great big ladders made of vines and hair and hang off the sides of the cliffs, where the wild bees have their hives.  They’re the biggest, baddest bees on the planet... big as a baby’s arm... attention deficit bees, and they know you’re coming... you hang upside down with an axe and hack away while all these giant angry bees come out and sting the everliving shit out of you, so you either come down looking like a sausage with smallpox, or you learn to speak nicely to them.”  He pushed the comb toward her, watching her eye the broken, oozing mess doubtfully.  “You do like it... you just don’t know it yet.” 

Susan turned over onto her side and leant on her elbow, breaking off a piece for herself and attempting to blow off the grass adhering to it, before putting the whole thing in her mouth.  The strongly floral flavour of the honey melted into sweetness on her tongue and a perfume in her nose, redolent of lilac blooms and chapel candles, its waxy structures collapsing between her teeth.  She leant forward, letting a wad of wax drop over the side of the castle and helping herself to more.  William ate his own from the tips of his fingers, watching it fall from her chin and darken the front of her dress as she lost control of the piece in her hand.  

“Did your family leave when the Chinese came?” she asked.  He seemed puzzled.  "Tibet or wherever..."  William shook his head.  “So... they’re still there?”
“I don't know.”
"I can not for the life of me imagine your parents.” she smiled.  He shrugged and looked out into the trees.
“I only remember my mother.”
“You don’t speak to her?”
“No.”
“So... it really is just you and Edward...”  Susan was surprised to see him struggling so visibly with her questions, his softly-spoken monosyllables fending if not extinguishing her curiosity, and she became concerned that she had traded felicity for contention.  Reaching down into his jeans he took out the letter and handed it to her in a strange, autonomic concession.  “God no, William... it’s your business, not mine.” she assured him.  “It’s not that I don’t ever snoop or anything, but... I'm not that sort of nutter yet."  He returned it to his pocket.  "But since we’re on the subject of nutters, have you heard from Rache...”  The vehemence of his expression almost deterred her from continuing.  “I was just saying that you seem to have done a good job of putting her off.”  

He suppressed a smile.

​“He might never get work at a daycare facility, but Ed's death ray is a special fucking thing of beauty."  In her enthusiasm she had left a large blob of honey on the side of her face; he reached out and caught it with his finger, smoothing it in a salve over the bridge of her nose.  Her skin was hot with developing sunburn as he put the hand to her cheek.  “You’re burnt.” he smiled, adding another daub to the pink skin of her forehead.  “It stops blisters coming.”  She touched her face, still staring at his own, and confirmed his diagnosis absently, inclining her cheek against the coolness of his hand.
“Freckles.” she sighed.
"I love freckles."
"Because you haven't got any."

He leant toward her and licked a bead of honey from her chin, his lips meeting the corner of her mouth.         

​"Come out with me Christabel or I don't know what I'll do.” he told her, the words breeze-blown in her ear.  "I'll probably die and go straight to one-star hell, and you don't want that on your conscience... while we live, let us live."  

A shadow fell across them.  Lilian held out a telephone.

“For you.  Some foreign guy with a dirty voice.” she advised.  He accepted it and climbed to his feet, walking to the back of the castle to conduct the conversation in French.  The intruder studied the inflatable structure and then his companion with a frown.  “You got honey on your face.” she added.

Brushing herself off, Susan slid down and excused herself, stooping to collect her bucket.  Lilian turned to watch her go, waiting for William to conclude the discussion that had degenerated quickly into conflict.

"That looked pretty fucking chaste.  What gives, frankenslut?" she inquired.
"What's it to you, interruptingcow?  Are you all done in there now?  Need a medivac or should I just move out and leave you to it?"

Lilian took the phone from him and started back along the shaded lane.

​CONTINUED NEXT WEEK
© céili o'keefe  do not reproduce

*   Read the Book onsite   *


Xmas Holidays, West Coast of New Zealand 2015- Part 4 

12/5/2016

 
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Just thought I'd post a few outtakes and miscellaneous scenes from this trip, since I've been in a pretty low mood all week and couldn't really summon the energy for much else.  You can find the start of this series here.

Above: the mighty stand of flax (Phormium) flowering in the wet ground across the road from my sister's place.  These monster plants are easily 3m tall and the spikes almost twice that. On this side of the ranges, this stand would have been seething with Bellbirds and Tuis, but we saw very few near inhabited places.
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Above right: more bovine action.  My sister's hand-reared calves.
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Looking out toward the eerily vacant Tasman sea from Granity Beach.  Australia lies some 400 clicks westward and you can almost hear the blowflies.  Below: take a bite of peach, baby.
​R working what his mother gave him on the Charming Creek Walk.
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Above: we went on a drive past Karamea (not recommended if you get carsick) toward the Kahurangi National Park.  This is the mouth of the Heaphy River; the titular track running through the park emerges just around the corner.  A beautiful place with a nice sheltered campsite and an incredibly scenic beach that arches for miles down the coast into the Karamea Bite (below).

Sandfly shit gets real here, though.  You'll wish you'd never heard of the place on a bad day.
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Kahurangi National Park also marks a shift in climate (slightly warmer) and native vegetation toward this distinctive faux-tropical look, with Nikau palms emergent through the busy, glossy Tasman-region bush.  That's faux-tropical.  You can still die of exposure in the mountains or swamps just a bit inland from here if you're unlucky and/or stupid :)  There were 22 different hazard warnings on the Kahurangi Park DOC site last time I looked.
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Progress-loving types want to bulldoze a fucking highway through all this so that arseholes in rental vehicles can top out the speed limit and crap on the side of the road in the course of their potential 48-hour budget loop around the South Island. To the edification of us all.  

One can only hope that the hatred currently being accrued by freedom campers in other touristy areas will knock the wind out of this fuckwitted proposal.  It's not that we're keen on the sociopathic superyacht cohort either, but we are sick of watching travelling douchebros and gap year skanks rolling out of their stinky cars-slash-accommodation to rock a piss and dump their KFC on the verges around our own town and, indeed, outside our house.  I opened the curtains to that delightful spectacle the other day.  Nasty motherfuckers.

You guys would have a much better time in Australia. 

It's the big brown place over there.
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​Above: remnant and regenerating forest between the coast and the Stormy and Fenian Ranges.
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Time to go home.  We took some shots from the car on the way back through Arthur's Pass.
​The one above was the best of an indifferent bunch, but there's a few worth looking at.
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Above: I think this is Mount Sunday, scene of some of the incredibly boring and protracted white person shit in the LOTR films.  Could be wrong, don't really care.   
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Above and below: the white cliffs near the Rakaia river bridge on the other side of the mountains in Canterbury.  The Rakaia is a pretty impressive braided river running down out of the Alps that we will one day get around to exploring.  

Below right: homebake not-rod.  I think they thought we were laughing with them, but this was Oamaru so their parents were probably related.  Those retarded... flames?  I'm just guessing.
​My first thought was psoriasis, and now I'm itchy.
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Mustard and mallard blue meant we were almost home.
​We had a nice time in our mean-spirited way so I hope we've managed to share that around.
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*   This series starts here   *   Photoessays   *   Selected Ravings   *   Read the Book   *


Photo du Jour: invert clouds, Back Beach Port Chalmers.

11/5/2016

 
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Four birds, three wires.
I had a dream about them a while ago.

*   Verse   *   Photoessays   *   Selected Ravings   *


Monday slash Tuesday slash David Attenborough: nature wizard slash sexual chocolate

10/5/2016

 
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David was just the person who knew about all the things that moved me as a child.  I can't remember the first time I became aware of his existence.  I didn't know who he was or where he'd sprung from; it didn't even really register that his strange way of talking was a nobby British accent.  He was neither father nor brother nor friend.  When I think about my idea of David Attenborough, it strikes me that he represents quite a unique sort of concept; not mundane flesh, not quite humanised abstract like a conventional schoolteacher and yet not exactly disembodied mentor either.  I'm having a lot of trouble articulating exactly what I thought he was and I had no fucking idea how he knew all that stuff in the first place.  Just that it all seemed to make sense, that I should definitely listen, and that it was really fucking important.  Life on Earth was my scripture, an explanation cleansed of the shabby anthropocentric shite that was so patently and distressingly fictitious.  What a relief it was to find out I was a primate, not a fucking catholic.

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While he was of course informed by a gifted and unprecedented network of naturalists in the field and emerging technologies, full credit must be given to the unique personal imperatives that made David Attenborough midwife to our understanding of the natural world and our relative place in it.  Without knowing me from a poop on the ground, he has told me more vigorous truths about myself than everyone I've ever known mushed together.  My creativity is a blood-sister to all that David-purveyed revelation.  R and I are incredibly lucky to have experienced his benign, heuristic ubiquity.  

​R's always been a DA devotee (along with the rather more scurrilous and um, earthy, Gerald Durrell) and knew a lot more about his origins and personal life than I did when we met, pointing me toward his autobiographical accounts and unwittingly introducing me to Hot David- shirtless smoothie, Madagascar-bound khaki enthusiast, tranquil gorilla whisperer.  But reading such stuff is also a rueful exercise these days, laden with reminders of everything we're losing; extraneous curiosity, broad access to a decent fundamental education, functional literacy, societal equity, the appreciation of merit, authentic and effectual idiosyncrasy.  ​

Let's not lie face down in the gross mud of social decay at this juncture; David Attenborough is 90.  Smarter than all our elected representative dickwads tied in a too-tight bundle on purpose.  Hotter than a thousand malignant Instagram narcissists tricked into a basement and doused in overdue accelerant.  More influential than any stunting, stunted bubblehead or flabby phalanx of Twitter warriors.
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"In the past, we didn't understand the effect of our actions. Unknowingly, we sowed the wind and now, literally, we are reaping the whirlwind. But we no longer have that excuse: now we do recognise the consequences of our behaviour. Now surely, we must act to reform it — individually and collectively, nationally and internationally — or we doom future generations to catastrophe." DA,  2003.  We know, thanks to him; to act on that knowledge is our individual responsibility and privilege.

David Frederick Attenborough, thank you.

liked this illustration by Reno Nogaj

9/5/2016

 
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ice age

from a group of recent personal drawings.  See more of Reno's work here

The Blackthorn Orphans Serialization:  Reconnaissance 2

7/5/2016

 
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A striped air bed repaired with aged tyre patches sank slowly beneath Susan in the middle of the pool, and she rolled off it, squinting into the sunlight rafting on the water.  She swam to the edge and began mining corn chips from the packet on the tiles, smiling at Lilian as the latter crossed the grass toward her in brief black underwear, pale hair knotted atop her head, frowning at the pheasants dozing like outlandish teapot cozies in their small, sun-struck conclave.  Dragging the lounge closer to the pool, she took out her cigarettes and sat down.  Susan was reminded by its proximity of something and smiled again.

“Did you hear about Rachelle the other night?  One of the bar girls said the whole place saw her having it away with William by the pool.  I was downstairs... I miss everything.”  

Nodding briefly, Lilian lifted a hand to shade her eyes.

“Don’t take it personally... Lamb and that crackhead stalker.  That shit’s not anything.”  Susan felt a warm, discomforting conclusion burning in her cheeks while she hauled out and sat on the stone, kicking her calves through the water.  “He’s into this whole other piece.”  Her companion looked over at her with an obscurely mocking expression.  "I’m not saying it’s not weird.... he doesn’t usually stop to like, emote on his way up a skirt.”

“He's... it's nothing." Susan sighed, rolling up the bag of chips and smoothing the plastic across her leg.  "He does it to everyone.  We get on alright, but there’s... I don't know... so much...”

“Irregularity?” Lilian suggested.  “Once you go freak, you don't go back, but then you’re stuck with all the fucking freaks in freakytown.  Lucky the sex is great, because there's no fucking utilities." she added, dropping her chin as she frowned at the house.  “But fuck it... I'm not gonna sell you someone who cage-fights for drug money.”  Susan’s mouth fell open.  “Google El Resto del Mundo... that’s his cage name." Lilian smirked.  She settled back into the lounge.  “Regularity is fine... don’t sweat it.  I'll get him to quit humping your leg.”   

The notion that Lilian had taken her dismay somehow to heart crept up on Susan and she qualified it cautiously, chipping at the blue polish on her thumbnail.

“It’s not... I do like him.  He's... strangely lovely, actually.  But I don't think I should, for some reason.  I just... I don't know."

Lilian shrugged.

​"Who the hell does?"


​
“Oh yeah... there she is, it’s the blonde...” Trent related, peering into the rear portion of the Lamb estate with field glasses as Lilian lay back on the lounge.  A stridulating cicada swung low over Josephine’s head, weaving through the air that weltered above them in a desperate attempt to elude a squad of sparrows.  She scratched at her neck where the heat worked on the crisp new fibres of her shirt collar.  “What she don’t know aint hurting her." he snorted to her silent disapproval.  "The tech guys got a wire on the beamer... they say the dark one puts her over the hood and gives it to her eight ways to fuckin Sunday.”  He waved the flies away from his face.  "Wouldn't mind a piece of that myself."  

Josephine looked up from the intercepts she had been studying as Nathaniel Shaw climbed the hill and came to a halt in the shade of the Range Rover, taking a moment to adjust his watch.  

"Shaw... Trent." she murmured, by way of introduction.  The two men looked one another over with a similar degree of distaste.

"You're..?"

​"What y' might call a consultant." Trent assured him.  "Fuckin Admin, and fuckin O'Connor."  He leant out to spit onto the ground beside Shaw's calfskin derbies.  "Shiny-assed bastard.  He's the dipshit who fired off that unit that got chunked in France... unsupported, no intel... guess I called that one right.  Fuckin orangutan could've called it." he sneered to himself.

“We need an ID on the women." Josephine informed them.

"I'll take a run at both females as soon as there's a solid window.  Has there been a decision about letting the local PD in on the two plantation Does?” Shaw inquired.

“O’Connor don’t want to risk it.  They were a few weeks dead anyway, one had his head just about popped right off, the other might’ve been female but they couldn’t say from lookin at it...” Trent related from behind the binoculars.  "These assholes don't get pinched anyways.”

Josephine lifted a bottle of water to her lips, its contents heated to an unpleasant degree and tainted by the taste of plastic, closing her eyes against the glare.  

"Anything more I should know?" the newcomer asked.

​“Sub One comes and goes, jumps the country on twelve different IDs, goes through the hubs then we lose him.  He's back, three to eight days later.  That's what he did in town, that's what he's doing now.  Sub Two's interactions look like buckshot at thirty metres... too many unknowns, far more than we could ever watch, so whatever he's doing is still his own business."

Shaw raised his own binoculars to his face, completing a sweep of the park with its great spread of tranquil deciduous shade and glittering pool.  Another woman appeared from behind the corner of the building, taking a seat on the grass beside the sun lounge with a bag of convenience food.  She wore a short dress in a faded cotton print over the dark, damp underwear that she had swum in and her posture devolved into careless repose.  Trent trained his scope on her.

“Who we got here?  Nice titties.”
“Resident maid.” Josephine stated, looking back to Shaw, who had finally removed his sunglasses.  She saw that his eyes were a lucky shade of dappled olive, and that he used them strategically.
"Anything worthwhile?"
"Related chatter." she admitted.
"Encrypted?"  Her hand rose to the edge of the laptop screen in an instinctive desire to close it against his inspection.
"They don't get into much on the wire and it's Sanskrit when they do."
"You can read that?"  Shaw chuckled as he walked out into the sunlight, shaking his head to himself.  “I’ll be dropping updates three times a day.”  He offered his hand and she shook it without looking back at him.

“Better get your ass up and go check in. ” Trent reminded him.  “You don’t get to un-fuck shit like this.”

Shaw replaced his glasses and began checking his phone messages, condemning Trent's injunction to oblivion before heading off down the access trail toward his own concealed vehicle.  They followed him with their binoculars to his park on the verge east of the gates, the blameless ease of his admission steeped in unreality.  Almost with Shaw’s removal around the far side of the house, the red Jaguar convertible departed the drive with two of its habitués.  

"The dark one’s come casual." Trent grunted.  "Redhead always looks like some crazy shitbird, but he don’t.  Something’s up.”  Josephine lifted her glasses once more from the hood, but the Jaguar slid out of sight around a bend.


​
​
William leant back against the slim trunk of the fir he had ascended, his bare feet gripping the branch he had entrusted with his weight, and peered down from the crown of the hill where the sombre plantation trees met the scrubby wilding growth clothing its margins.  They had settled some hundred yards uphill from the party clustered about the Range Rover, having climbed to the position on foot.  In a neighbouring tree his brother found his own vantage while William surveyed their surveyors with a number of abstracted frowns and head-turns, attempting to catch what they were saying on the breeze.

“She’s right about not being able to evaluate us against a simple deviant human model.” Edward remarked.  
“Tweedle Dum thinks we’re undead beatnik homersexual dope fiends.” 
“Sounds like they're tapping your car.”  

William smiled across at him.

“Where'd you put Orb?  You're fucking lucky Frost can keep her mouth shut.”
“Her intellect defies the cognitive paucity generally attributed to individuals of her particular tonsorial orientation.”  
"Lo siento, no hablo pendejo."  The furniture-polish scent of the foliage beneath them was broadcast by the afternoon, lending its colour to the cicadas' song.  “Christabel found blood in the kitchen again, but she’s cool about it... I told her it was a hipster fight.”
“You're lucky too.” said Edward.
“Why?”
“If she continues to mind her own business you won't have to drive her out to the plantation.”  
“How can you be so evil on a day like this?  And fuck you about Susan... if you’ve dragged Frost back to the swamp, I get to have a girlfriend too.”  The lack of audible response annoyed him.  “A whole few weeks with you and she’s into federal heat... what’s it going to be for your six month anniversary?  Home invasion bloodbath?  Three day SWAT siege?” he complained, extricating the sleeve of his T-shirt from a snagging twig.  “You should have parted out that shitty pimp before he swung at her.”

“You should have cleared putting Opal out with me.” 

“She was about to suplex Christabel in the coolstore.  I made an executive decision.” William muttered, knowing his brother would not defend such a fundamental breach of his own hospitality.  “And you can tell that hoary trout if she darkens the fucking door again it’s chick chick boom o’clock.”
“That doesn’t get you off the hook for inviting nightcrawlers to her show.”
“I didn’t... they were Siobhan’s peeps.  It's vampiro en vampiro, chico... they're all spitting on La Rue's grave and angry dancing over her sucking up to the Prague gestapo.  Didn't you get the why no other bloodsack can ever cockblock me or tell me what the fuck to do speech down at the Moth?  I’ve been getting it for six months.”

They fell silent, watching the pair below.  Edward was puzzled by the man’s concerted interest in the rear of the house, unable to see past its gable.  William had a better angle.

“You’re not going to like this.  Frost’s gone commando by the pool.”  He looked back at Edward with a smile until the latter reached out and attempted to dislodge him, tugging the crown of the tree toward himself and threatening William with violence.  He laughed as he clung to the listing fir with both hands.  "I've seen it all before anyway."
“Avert your eyes.”
“Like I’m going to do that.”  William scooted around the tree and stood out of reach, putting his hands together and making a winding motion that hoisted a middle finger; Edward let go of the branch and it whipped back hard into his brother's face.



​
Trent lingered over the enticing panorama until he set down his glasses and reached for a camera case, shouldering the kit and setting off down the hill.  Josephine was forced to jog to catch him up.
“I can’t leave my post.” she complained.
“I’m gonna get myself some shots.” he chuckled.  “Some of the intel guys got a OFP website and this shit here’s gold.”  He jumped down onto the tarmac across the road from the estate.


​

Brushing off his jeans as he emerged from the saplings, William still chuckled to himself, staggering sideways when Edward pushed past toward the back of the unmanned vehicle.  Its twin doors proved not only unsecured but ajar; William made for the front seat, where he yanked open the glove box.  They passed a short while in their respective inquiries.

“They’ve got a trace on my car.” Edward muttered.  

“I don't know how long someone can monitor your activities before needing to throw themselves off a fucking bridge, but they must be getting close. ” William smiled.  "I thought the hot guy was sweeping our rides."

"Hand-held units won't pick up this system."  His brother appeared beside him and reached under the seat, pulling out the laptop and resting it on the floor of the foot well, where he brought up the recent files.

“Anything in the house?” 

“Nothing monitored from here.”  They sat in critical silence while Edward made progress through the data.  “They’ve got audio.” he said slowly.

“You’re shitting me.  Where?”  His companion's expression gave him a clue.  “Oh.  Ohhh...” William smirked. "Awkward.  If you’re going to abuse the beamer, maybe turn the radio up first.”

“Music kills the mood.” Edward murmured, taking the computer to the rear of the vehicle.  William emitted a small shriek of horror.

​"If I never hear those words again it'll be too soon.  But what the fuck about Opal?  I know she’s been jumping on your neck about those euroturds and their ghetto masterplan... what are you going to do when they roll in?  Let her negotiate a package?”

“What do you suggest?  A single-idiot defensive initiative?” 

“How about not playing for the evil empire just because it's paying out?"  William launched into an impassioned denunciation, condemning everyone involved with such vehemence that he did not perceive Edward shaking his head slowly at his vituperation.  “You sneaky shaitan." he declared, interrupting himself.  "You fucking had me going.”

“Talk to Auberjonois about them.  How is Papa Gâteau?"

“I don’t want to call him.  We’re sort of... not cool.”

“Who do I have to thank for shutting the other up?”

​"Elif air ab tizak.  Hey woah... code brown.”  Pausing upon opening a binder full of photographs, William discovered it contained a reference image of every visitor to the estate since their occupation, some taken during the current round of surveillance, others gleaned from police and immigration files.  "Putain... they’ve got everyone."  They looked at each other through the seating.  “What do we do?”

Edward returned the rear doors of the car to their former position, setting them carefully against each other.

“When in doubt, he is a wise man who does nothing.”
“And verily he is often an incarcerated man, or a fucking dead one.”
“They’re on their way back, so feel free to stay and test the theory.  I’ll wait in the car.”

​CONTINUED NEXT WEEK
​© céili o'keefe  do not reproduce

*   Read the Book onsite   *


liked Grayson Perry's gender piece in the Guardian

6/5/2016

 
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His remarks about masculinity and gender in the G are well articulated, if not massively revolutionary, but the deluge of hilariously defensive comments that ensued is extremely illuminating and so unwittingly supportive of his assertions that you can almost hear them doing that weird junk-touching self-soothing thing while they're typing.

​Apologies for the mental image.

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