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The Blackthorn Orphans Serialization:  Inter Alia 3

28/2/2015

 
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Glancing up from the time on his wrist, Shaw watched O’Connor’s drab reverse pass into the drawing room from the entrance hall, moving through the house like a bird of ill omen amid the disaster it had foretold.  Around them, at distant points both outside and within the abandoned building, he could hear the evidential team walking back toward the vehicles parked along Commoriom Drive; with their saturnine guards they wore the casual guise of a grounds maintenance crew, their thick black plastic bags bulging with collected materials.  One pair paused to pitch a shovel under a damp tiger print dress lying in the long grass amid a strange, shallow mound of ashy refuse, lifting both garment and a sample of the surrounding matter into one of the bags and tying it off. 

“With all due respect, no one could have anticipated this... it was chaotic the whole time I was here.  Leaving was as random as every other damn thing they did.” Shaw assured his bespectacled critic.  The drawing room retained a definite suggestion of the unsettling perfume that had once pervaded the entire dwelling; he had thought it dissipated until confronted by its dappled, darkly myrrh-like presence as he stood amongst the gutted packing crates of unmarked pine.  “What else I could have done?”  The query drew a long, glassed-over glance from his superior.

“Your regard for your own safety is... it's touching, really.  It's just a shame it was a subordinate objective.” 

In contrast to the dissonant exotica abandoned by her companion, Susan Christabel’s forsaken belongings were so strongly suggestive of her person that Josephine had initially battled her flickering imago in William’s suite.  Her summer dresses hung in the darkness of the little anteroom and in a thick scatter across the naked mattress, her makeup and costume jewellery lying amongst them in a shiny, intimate constellation.  She stepped back against the french doors, photographed the arrangement and stooped to dump the contents of the bedside rubbish bin onto the floorboards.  The latex film gloving her hands caught on the wrinkled paper of the receipts she flattened out upon the lamp table, smudging the printout, and she smoothed the next one more carefully.  

The bathroom, gleaming like the chamber of a glacier in the slanting afternoon, offered nothing more than towels and bathrobes that had dried upon the tiles, a half-smoked cigarette and a pair of curious silver pliers lying open in the basin beside a pair of scissors.  On the marble beside them she discerned the faint glitter of some dry, almost micaceous substance, a hueless powder, as fine as talc and as cold as glass.  To her knowing eye the passage of some shrewd, unfailing hand had swiftly stripped the rooms of their most informative indiscretions, clipping the chain of circumstance into arbitrary fragments like the scrambled elements of a shipwreck disgorged by the sea.  A huge black Afghan coat lay on the floor beside the french doors; she hoisted its lax weight onto the mattress and removed the debris from its pockets.  The smell of blood shook loose from its heavy black staple along with that of cigarette and dope smoke, dry ice, exigent sex and exhausted perfume, of places she had never been except as an intruder.  Money fell from the lining and pockets like something imperfectly understood, French francs and American dollars.  Josephine stowed it with her other souvenirs in an evidence bag, along with a heavy brass lighter in the shape of a carp, its surface figured with a multitude of fingerprints.   

In contrast, if not in direct opposition, the suite at the far end of the hall might have belonged to anyone by the time its last habitué had quit, leaving a low black bed and a silver clothes stand to testify to the bare fact of occupation.  Knowing she would find nothing, she walked between them to the window and stood in the sparse shade cast by a neighbouring branch, attracted by the sounds of conversation in the porch below.  Foreshortened by her vantage, Shaw turned back toward it in the midst of his departure, his gaze upon the grass as he received an addendum to O’Connor’s uncharitable review, its flattened vowels working with his authority to cripple any rebuttal it might have deserved.  He glanced up and she stepped back from the window.  

O’Connor called her from the house before she could document the room.  In the shade of the porch he wore his thinly-contained rage like disfiguring hose pressed to the face of a thief.  She took out her camera and began to review her pictures.

“Lilian Frost didn’t run with them, but the British girl did.  She’s new to this so they’ll pick a soft landing... white, Indoeuropean, nothing too challenging.  She went out and bought what she needed, left all the pretty on the hanger, so they’re going off the grid.  We should be hitting the informants hard for anything feeding into that pattern... money trades, safe passage deals, clueless white girl...”

“Shaw has just implied that you broke protocol and invited yourself along, the night the auxiliary sub dissected the Rutherford female.” he told her, watching her eyes find the back of Shaw’s head as the latter walked between the distant gates.  "Is there something else you think he should have disclosed?  I did get that feeling, looking over last night's logs."  She made no reply to the conjecture.  “It’s really not the overpersonalized approach you’ve developed that disturbs me, per se, though I can see how others might... recoil from that kind of investment... it’s that you’re like a cul de sac, Ms Jones.  A dark little pit where information goes to die, and I can’t have you swallowing all the light during regime change.”

She spoke through a stock smile intended for the gazes studying their exchange from the vehicles parked on the road.

“I'm not here to pick up a cheque.  Let me scrub in, give me access to the capture... in thirty days I’ll kick everything you need back up to you.”

His laugh scratched at her face, lasting well into his reply.

“You’re asking for participation... I can give you that.  You and Shaw can both hit the bag run to wherever these subs show up first.”  

“Under who?” she demanded, following him out onto the drive.

“At this point, it wouldn’t be fair to keep Trent from the kind of active authority he craves, so as far as I’m concerned, you can all head out together.”


C O N T I N U E D   N E X T   W E E K
© céili o'keefe  do not reproduce

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liked this image by Uzel Scotus

26/2/2015

 
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Uzel Scotus

RubyHue Lipstick Review: Sweetpea & Fay Ominous liquid lipstick

25/2/2015

 
Black lipstick: the most difficult of all products to review in a fair and meaningful manner.  As someone who handles the colour every day in a range of media, I'm well aware of the technical challenges posed by the shade itself.  Black militates, against almost everything; this is of course why we love it, but attempts to incorporate it into something that will adhere to damp organic surfaces usually ends in a pile of godawful shite.  

Every black lipstick formula I've ever tried has been cursed with at least one fatal mutation, rendering it unwearable in any real-world sense.  They're all too patchy, too bleedy, too chalky in the case of mattes while anything less stodgy turns out too thin or unstable.
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Even with the best formula in the universe, lighter-end-of-the-spectrum peeps are going to be confronted by a basic chromatic reality- for tighty whities, black lipstick is too high contrast to be an easy wear.  

We just need to accept that and work around it.
Sweetpea & Fay Liquid Lipstick in Ominous is one of those newish-fangled tube formulas to which MAC Pro Lipmixes are ancestral.  I'm often shocked by the sheer density of pigment packed by these products and ditto Ominous; it oozes out in a deep shade of black-blackity black that seems to go on forever, no matter how much you smoosh it around.  10/10 for pigmentation, and the same rating for its solid 100% blackness.  Many crappier black lipsticks have a dreadful tendency to pull green but I'm happy to report that Ominous is a very true neutral tar or jellybean black.  It is blacker than MAC Feline eye kohl, which is famous for its comprehensive darkness.

The emulsion spreads thinly and very evenly and a little goes quite a long way.  It's easy to apply with a brush as far as getting consistent coverage is concerned, even in that annoying centre-of-the-mouth area that so often rejects darker colours and this impressed me greatly.  
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The finish yields a medium satiny shine; think MAC Lustre or one of the glossier Amplifieds.  It dries down very slightly; some comfortable slip remains.  There is a persistent vanilla caramel smell that you'll either love or loathe.  

A thick application on bare lips feathered into my outer lines after 10 minutes of doing the dishes, and I don't usually have that problem.  Clear liner and/or less product improves that outcome to within perfectly acceptable parameters.  

That doesn't solve the transfer issue, though- without a decent amount of care, the Ominous on your mouth soon becomes the Ominous on your fingers, teacup, sandwich, cigarette, sleeve, pets, nose, keyboard etc. 
L 2 R: Ominous (maxed), Ominous (sheered), MAC Nightmoth liner, MAC Feline kohl.
neutral/coolish filtered outdoor sunlight
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Note- it looks crazy-shiny in these two swatches because I piled it on thickly from the tube.  The strong light reflected in the lustre in the swatch below left makes it look much greyer than life.  
You can matte it down with HD powder but it's still going to travel.  I used a bit of Ben Nye Translucent in Fair and got a lovely, slightly muted vintage charcoal without clumping or much settling into lip lines, and this is how I will wear it. 

BELOW Ominous, MAC Feline kohl  warm outdoor daylight
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Ominous leaves a fetching greyish stain behind when you scrub it off and with a light application and a little bit of finger work you can achieve a really nice translucent lavender storm cloud look, especially on darker lips. 

Most will probably be looking to Ominous to amend their red and purple lipsticks, and in this respect a little goes a verrrry long way.  In fact, don't use more than a teeny micro-dab on a brush or the black will utterly overwhelm the other shade.
All in all, I'm very impressed by Ominous Liquid Lipstick.  At $18 NZ for a generous 10g tube (as opposed to $40 for standard MAC) the price is an awesomeness in itself.  And Sweetpea & Fay claim to be 'handcrafted' and cruelty-free, so let's throw some money their way.  They ship worldwide- lifts eyes to heaven.  Quick tip for applying difficult shades; first do your mouth over in a lipstick you're comfortable with, wait a moment, wipe it off carefully then use the remaining stain as a template for the darker shade.  Works every time for me.

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Photos du Jour-  Bees; honey, bumble, NZ Native & buzzy misc.

24/2/2015

 
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That's a hoverfly directly above.
The Lovely R took these with his beloved Tokina 90mm ATX Macro on a Nikon D300.  The wind was blowing so he did really well to get this much sharpness.  Note the lovely bokeh (out of focus) backgrounds which are a feature of this lens; these Tokinas are pretty old now (circa 80's) and a Nikon mount example will set you back around 400 euros unless you get lucky on Ebay, but they're worth every darn penny.  
These images are impoverished jpegs; the originals are very lovely.  Nice work babe!
> A New Zealand native bee species (lasioglossum?) with bulging pollen sacks.  They're hard to spot at around half the size of a honey bee and are pretty noiseless on the wing.  I think they're solitary too, digging holes in dry sandy soil  and clay banks.  

Not sure if they sting; I know a lot of Australian native species do not.  
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Monday slash Tuesday: Flapping one's trap about making shit up/black lipstick.

23/2/2015

 
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Oscar dresses.  I often wonder if it's politics or preference that prevails.  Politenessness/impolitic-to-say-no would explain some of the choices, but jesus there was some sartorial fuckery happening last night.  Oprah had me bracing for some sort of 1000-psi spanx failure and as a member of the mighty titty committee myself, all I could feel upon gazing at her image was breathlessness, tachycardia and epic underboob sweat.  That's better than looking hungry, plastic and desperate as per 80% of her peers, so... err... yeah.  The Oscars don't look like something I'd roll out of bed for personally, but if pressed I'd throw on something bloat-friendly and as much fucking jewellery as I could physically shift down the carpet; it was good enough for Liz Taylor.  You know that bitch had herself some times.

Are you reading the Book serialization? (yes, I spell it with a fucking z.) Warning; if you like your stories bareback, you might want to skip these remarks.

Okay?  Mmmokay.  The last excerpt always makes me hungry, dammit.  And slightly dickmatized, because I fucking love Gideon.  Auberjonois stepped quite prefabbed from the protean slop so I presume my massed Crusade research was most responsible for his genesis.  He emerged as a character quite early on in the compositional process since I knew there was no way Sachiin would have gotten through the last two and a half millennia without at least two flavours of significant other.  More of him in the next book.  

Some time after his properties were set, my partner read me a short fiction piece by Gerald Durrell (The Entrance- do have a look for it because it's well worth the effort) featuring a lead with some rather eerie similarities and- more dismayingly- the same first name.  If you write, you'll know the sharp kick to the creative taint this invariably administers.  What do you do?  Bin a promising character?  Give them a painful, horribly arbitrary makeover?  Shit like that can keep you awake at night, but I decided no on both counts.  After all, there is truly nothing new under the sun (making it past 30 should teach you this the hard way).  Also, originality is entirely relative in my humble opinion and any similarities were innocent, since I was unfamiliar with Durrell's rather obscure story.  And paranoia aside, which imaginated creature is really enough like another to warrant this kind of scorched-earth foolishness?  We are all just versions of each other anyway, hazy xeroxed collages of our neighbouring organisms and cardinal influences.  So Gideon stands just as he came to me, with the moon in his heart and one eye on the door.

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TMI?  Should I be telling you this stuff?  Does it fuck with your suspension of disbelief?  Is sus of dis even a thing anymore, now that online gutspilling has pretty much abolished any figurative fupa-veiling fragment of mystery writers might have cherished?  With all things considered, I think such commentary probably is selfish in that it must interfere with the traditional joys of untrammelled discovery and private relation, so rest assured I won't over-overshare.  

This week in blogging: the woodpile is sorted and we've been watching so many bloody movies; the stack of review notes is nudging the historic ceiling spiderwebs, so I'll need another week to sort those out.  There'll be a lipstick review, I think, because I've discovered a promising black one and that shit doesn't happen every day, right kids?  And something about bees, because there's no reason not to.

Let's have some Cure.  Bob the bossy bottom.  In late summer this video always reminds me of our own place here in Port, since it's on a cliff overlooking the sea and is leafy and has levels and stone walls and... um cicadas.  Sadly no wrought iron or glazed conservatories or sighing hirsute minstrels or semihollows or any other gracious amenities.  

Our toilet is inside, well... inside an illegal addition.  Lol- Victoriana.  Is ivy an amenity?  We have shitloads of that.


liked this image by Dan Weinrich

22/2/2015

 
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Turquoise from Arizona
by Dan Weinrich


The Blackthorn Orphans Serialization: Inter Alia 2

21/2/2015

 
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A padded squab cushioned her place at a round, dark-timbered supper table, heavily laden with parochial silver and warmed Dresden china.  She was grateful that Gideon had eschewed the grander rooms in favour of an intimate parlor, set back from the duck-egg hall and densely furnished with everything pertaining to a convivial repast.  A stout bombé sideboard groaned behind her under the weight of a massive silver epergne wrought as thickly twisting vines, its bowls carved from Russian nephrite into leaves loaded with persimmons and fat liqueur cherries cloaked in chocolate.  The walls, papered in figured cobalt paper, were festooned with journeyman portraits; of local nobility, the women clutching roses and smiling as though recalling secrets, the men wearing a heavy ancestral compliment of her host’s assertive features, and of livestock, including pensive, elongate sheep and proud bovine sires with their sinister black heads and tiny hooves.  Even a cat had earned posterity, a brindle beast with belled collar and championship whiskers splaying from its nose.  The glassed doors offered a view of the unlit parterre, but it was the prospect of the meal to which the lavish trimmings were but an allusion that absorbed her, proving almost more than her empty stomach could endure.  The kirsch cherries suggested a speedy visit to the sideboard, cancelled by the smell, if not the sound, of her host’s approach along the hall.  She sat down quickly, smiling as he entered.

Gideon bore an ashet in both hands and set it down in the midst of the table, lifting the lid to reveal a large, fuming joint of wild game, glistening in a treacle-brown glaze and accompanied by mounds of chestnuts, trembling apricot chanterelles, ruby onions wearing garlands of rosemary like conqueror's heads, and roasted potatoes, en echelon, anointed with thick curls of melting butter.  Susan stared, mouth half-open, as he began to carve.

"Thank god you’re a carnivore.” she exclaimed.  "I could just plonk my face in this and suck it off the plate."  His smile altered slightly at the artlessness of her remark.

"Moi aussi.  Strange to have company, I know... I don't allow the jeunes in here, and when Sachiin was with me I dine alone so many times I give up my cook an put my tables in the attic.” he sighed, serving them both and taking his seat.  He had shaved carefully, the razor leaving his proud face soft, combed his hair into grudging obedience and wore a fresh white shirt beneath his jacket, his thickly-timbered shoulders comfortably accommodated by the bespoke garment.

“It's so depressing eating pot noodles like a bloody leper while they sit up in the bedroom and moan about the smell.” she agreed.  "Lilian lived on drugs and cornflakes, so she wasn’t much better."  Another silence threatened the infant momentum of their exchange, and she once more regretted the low cut of her black dress.  Her eyes followed the embroidered meander that ran beneath her plate toward his hand; it rose from the stem of his glass to pour a silky black syrah.  The quantity of heavy talismanic gold in his ears and on his fingers absorbed the molten colours of the fire buried in the small grate at their feet.  

“La Lune.” he said, by way of a toast, sinking a draught.  “Lilian... Kala'amātya's woman?”  She nodded again, mouth full of the many delights heaping her plate.  “A brave soul.  He leave her in America?”

“I think she left herself there.  This is deer, isn’t it?” she inquired of the roast mounded on her fork.

“Oui... some people don’t like to eat them, but they are prettier than cow.  So... you don’t want to talk about Kala'amātya an this girl... c'est bon.  Some things are best left to themselves.”  Gideon patted the pocket of his jacket, its sleek, silk-wefted cloth closing into soft folds in the crook of his elbow.  It was easy to accept his putative antiquity; his skin gave him away, stained a stubborn, golden, Assam brown by numberless campaigns beneath the staring eye of summer.  The same rough passage had beaten the small, susceptible elements from his features, like the weathered masks that guarded the eaves; no glowing vacancies brightened his eyes, the crowded, occult colours crammed and overlaid, permitting no intrusion.  He set something small on the linen halfway across the table, letting its gold chain slip through his fingers.  “Stupid of me to forget.” he conceded.  Her Mughal pendant lay like the final flourish of a magic trick.  “Wear it... life is short.  All I ask, is that from time to time, you put your hand to it, like this, an stare out of the window.  He won’t ask, but it will make him crazy.”  She grasped it tightly, transfixed by disbelief and gratitude, which he waved back at her, looking once more to the hearth.  “Certain people offer me doux fois what I pay for this, to give you over to them.”  The chain stalled as she turned it round her neck.  “An I thought about it for a time, you know... old people, we are not so romantic.  But, difficult enough these days, to look into the mirror.  So don’t offer me your firstborn.”

His admission was confessional without undue apology; Susan looked down at the jade plaque in the palm of her hand.

“William trusts you.  I wasn't sure.” 
“You must, because I give my word, an my word is good no matter what you hear.  Sachiin listen to some stories... I listen to story... des conneries... by now, we should all know better.  Diviser pour mieux régner." he muttered while she puzzled over the shallow inscription carved into the pendant's reverse.
"Do you know what this means?"
"Agar ferdows dar jahan ast hamin ast o hamin ast o hamin ast... if there is a paradise on earth, it is here, it is here... Farsi, from a palace, dans le nord de l'Inde." her host replied, recalling the haunting declaration and observing its effect on her.  "Even the things we do not say, they have a life in silence."

Susan returned it to her breast, stilled for a moment by his remarks, then revisited her meal with exclusive intent, her teeth cracking through potatoes crisped in duck fat into their warm, powdery hearts, sopping up the juniper-scented gravy with thick, peppered hanks of venison.  The wine slid easily from her glass, elder-purple, sharply sweet like tamarind and blackberries, leaving its burning ghost behind.  Gideon ate restlessly, as though humouring both haste and hunger, then set down his knife and fork and leant out from his chair to lay another piece of willow on the fire.

"You have seen this?”  He nodded past her, referring to a portrait beside the door in a plain oak frame.  It was a brief thing, a hasty, almost harried committal, eschewing surrounding detail in favour of the central figure standing in a tunic of sullen madder red, worn golden handwork banding its long sleeves.  He regarded the artist from a belligerent remove, the white hand upon the Levantine saddle beside him equidistant from the dagger at his belt, dark head bare but for the length of his braid.

“Looks like a terrorist.” she murmured, smiling at the whispering lure in William’s green stare in the midst of his figural resistance.  Gideon nodded at her conclusion.
“So much worse than mujahadeen, because they don’t believe in anything.”
“Edward doesn’t believe in anything.  William believes in forgetting his wallet when you go out to dinner and lying on his face until two in the afternoon.  And jam... he believes in eating all your jam.”  Her assurance prompted him to snort in the midst of a chuckle. 
“Also in eating all your tulipe noire and drinking your Margaux.  But then he look at you like Venus smiling from the shell, an your underwear, it go foof.” he smirked.  “When he come to this place, he was already idle an arrogant, like all wild things... too long in the mountains an then too long in the desert.  He bring his horses, his dogs, his Persian whores, with the plague marks on their arms, an their black teeth... they shit in the fountain when I tell them don't burn my lavender... he lay his tents out there on the grass, because he did not like a roof that weigh more than he did, an would not sit for my painter.  He swore that he would cut the hands from any that tried to make his likeness.  Both the Arab an his own tribe, they frown at such frivolity, calling it an insult to their faith.  But ha ha... tout n'est que vanité.  I flatter him, bring him slowly... slowly... into the house, an soon, he is complaining about my wine an linen, an sitting for this picture like any fille de joie.”  The memory of his artful conquest still amused him, even if its subject’s expression did not perfectly support his account, and he turned his smile back toward Susan.  “He did not love me... lying is the only thing they don't do well.  But in my old age I ask, what is love?  When it is amicable an commonplace, it is only huile de cul, something to smooth the little things, an when it is dément, et formidable, you are its bitch an not much more... a slave.  I think, when you cannot look without touching, it is a fine thing, an so it was... I throw down my colours an made his breakfast an pour his brandy an was pleased to do it.”

She shook her head, philosophical.

“I just can’t.  I probably should be nicer to him, but he’s such a lazy, annoying shit.” 

“When you an I first met, I look at you an wonder, what does she have?”  The envious sentiment was affianced by a long, darkened glance across the table in her direction.  “Then Petrouchka tell me that you say no to him an curse all of his bad habit.  Of course... for this he loves you, more than all of us who would indulge him.  Kala'amātya himself say to me of him, one time... nai naga nya ala'il si'at'nae... there are no snakes in his simplicity... an I agree, there is no art in him, no sophistique... he is simple.  I could not see this, an you do."  She could not help but affirm the generous sentiment.  "That is not to say I have not thrown a chair at his head from time to time... trés bien, eh?  But these days I am a lecher, not a romantic.  If I am to sin, it must come to me with a bottle of something, an make its own breakfast.”  

His teeth were thick and well made inside his smile, their double canines laid neatly against each other.  She smirked back at him, the expression developing a blush when he extended the reference toward her.  

“I know he like to dream that aprés Sachiin, I only raise the flag for the exotique, but ah... I can still give you a good night’s sleep, mon chou, if you don’t mind dark meat after so much... white bread.”  That he intended every word of the invitation was underscored by his implacable machismo, its presence leaning on the table between them in support of it; Susan looked to him again, steeling herself against it and the increasingly pictorial speculation it inspired.  Shadow lay in the hollows of his broad and staunchly-formed hands, the same deep colours shaded in the vales of his face, the darkness beneath his eyes conferring an expression of habitual skepticism that continued in his brow.  “Say no to me, Sussan.  I won’t kick down your door...”  Amusement widened his smile as he returned to his meal.  “Pas ce soir.”  
"Do I have to decide right now?" she asked, working her fork under a potato.  He shrugged.
"I am patient."
"It's not that I'm not tempted..."
"But of course." he chuckled.  Susan speared an elusive mushroom and studied it closely.
"I've never actually thought of myself as a slapper, but lately... it's almost as if there's a bad influence coming from somewhere..."
"L'accident était inévitable." he assured her.  "An the woods, you know, they work on you this way.  Everything baiser something else."
"Did you ever... meet Rana?" she asked.   

Gideon coughed into his hand and set down his cutlery, pushing his plate away and reaching for her own when she declared it superfluous.  

“Ah, oui... an I hear of her retour.  Looks like she’s no stranger to you.”  He nodded down at the scars that crept over her wrist from her arm.
“She tried to pull me through a third floor window.”
“When he was here, she would come into the garden at night, sneaking in to cut the womens' throats an kill the dogs, an then to beat him... which he would endure like a Roma bear, believing there was a chain, you know, in his nose.  I grew tired of this, an kick her back to the Seine.  I think now that he came to me because I would do this for him, when his brother would not.”  They glanced in unison at each other.  “ Kala'amātya, eh?  What do you think?”

“I try not to.”  

He shrugged his brow, and then his shoulders.

"I have to say, myself, I prefer sal to sucré.  But you don’t come to this way of thinking overnight.”
“I’ll probably be a very old woman before I stop thinking of him as caustic soda.”
“I won’t argue.  His tribe, they kill his heart, an we have had bad times with him ourselves... he is violent, an you cannot predict him... when you have no love for yourself, how can you trust?"  He gazed about himself, wrestling with the depth of his own sentiment.  "There is a lesson in him, I think.  The bad things, they are always with us, but beauty she is as strong as any evil.  Some people give her up, and I myself have come too close to this."  He directed his stare at her unexpectedly.  "Don't be that way, ça va?  You will be dead while you are living."  Satisfied, Gideon sat back and drained his glass.  "You like pie?  You have the derriére of a good country girl so I think yes.”

A brief lacuna settled while he returned to the kitchen to fetch dessert, bringing back a sweetly-perfumed tart in one hand and a plate of slouching cheeses and suede-like, sun dried apricots in the other, a bottle of fruit liqueur beneath his arm.  

“Flambé... gauche, I know, but I don’t care.” he confided, dousing the dish and striking a match over the pie to produce a high blue flame that wafted backward with him when he sat down.  Its simple, effusive beauty spread her toes inside her rabbit slippers; she slumped in her chair and sighed, leaning an elbow on the table.

“You’ll have to give me a minute.” she warned, patting her stomach.  “I’m bogged.  Can I ask... you are french French, aren’t you?  Are your family from here?”
"Not ah, Gévaudan... I buy this place, a long time ago.  My family are Provençal.  Basque, before that, my mother’s people.  An you?  Anglo-saxonne?"
"Boring, I know."
"Don't be modest, Sussan.  I see some armada in you.  Perhaps we are cousins."
She laughed, beating down the apricot that jammed in her throat.
"Well that takes care of one thing for me."
Gideon put a hand to his chest in dismay, then resignation, at her scruple.
"It was good enough for our grandfathers.  Eh bien..." he conceded. 

“William said you met overseas, that you... what was it?  Joined up to something together?"

“I served the Catalan cartel at first.  It was quiet when I was young, my god, like you would not believe.  My family they were quiet, the towns, quiet... the countryside... you could hear a Corsican whore fart from an épicerie in Toulouse.”
“I tried to get him to explain how you go from that to killing random people in the Middle East, but I didn't have much luck.”
“It's hard for people now to know those times.  The south, she was full of religion an nordistes... we were young an bored, an oui..." he shrugged.  "Quite stupid.  Sans méfiance.  One time, a big goat, he come into my uncle’s house an ate the pages from his bible... we don't follow this book, it was only for appearance... for weeks, this was the only talk for a day's walk all around.  The only talk."  Susan pulled a grim face at the prospect and he nodded to it.  "Then you know, Urban the pope he make his speech an the whole world lose its head an took the cross.  Outrémer... she sound like discotheque.  I go with the Catalans to Ascalon, a trebuchet show to me the taste of sand, and voilá... from that moment, I was a slave to le guerre.”  He laughed again at his venality and cut her a wide wedge of pie, shuffling it from the silver slice.  “What can you do?  Alujha were born for it.”

“How can you be born for something like that?” Susan scoffed.  "That's the sort of thing William says when he can't think of an excuse for whatever Edward's doing."

Gideon set down the slice and lifted the little glass-bellied salt and the silver pepper shaker, both standing on tiny lion’s paws, from their retirement at the edge of the table and poured a little of their contents into adjacent piles upon the cloth.  

"To the east of here, by the Pont-d'Arc, there is a cave... na Avájir... the Grave, we say.  In the oldest times, le invocateur, the shamans, witches... they share their dreams with the wolf in these places, an they trade the flesh with him.”  He pushed the salt into the pepper with the end of his finger until they were inextricably combined.  “We are brother an sister with all things.  In na Avájir, this union was painted on the walls, an from this comes my tribe, born as they were made.  The girl, with the stars in her head, an the boy, with the moon in his heart.”  Gideon passed his hand over the mingled grains.  "These caves, they are so beautiful, but they are silent now and I cannot look at them.  All they hold has passed away.  In them you can see that most important thing forsaken... that moment, when the first man turn from other beasts, to tell his children they did not have to share.  From this moment come the fall... come croisade, the abattoir, the gas chamber... na Avájir is the grave of us all."

The unctuous mouthfulls of sugar-glazed plum lost their sweetness in her mouth and she swallowed slowly, prompting him to smile briefly to himself.  

"Déprimante, eh?  Never mind.  Sachiin et Kala'amātya, they too are born as they were made.  You and I, we have a difference, but we are Rome’s children, an we sit by the fire.  They stand before the window an dream of the massif in winter.”
“He's told me some of it already, where they came from.” she admitted.  "More than I thought he would."

His sigh betrayed the volume of his ruminations on the subject.

“One time, we wait in the Krak for some Syrians to pound us into dust, an some dancing girls from the north... Azeri, perhaps, I don’t remember, but they say to us... in exchange for everything we own, some jinn would come from beyond Samarkand and murder all our enemy."  He rose, and brought the epergne from the sideboard, turning a chocolate-laden leaf toward her.  "Their grandames told of an old cabal, witches from the East who fashioned these jinn to serve them, but these creatures, they were not so comme il faut... lustful, they said, an disobedient, an they run away.  Now, who does this sound like?”  The almost pornographic beauty of the cherries monopolized her gaze.  “If you don’t eat one, I will have to call a priest.” Gideon warned her.  He reached across and took one for himself, leaving the shadow of his chair and leaning into the glow effused by the pale table linen.  It lit the two blank circles of silver white in the back of his eyes, canceling the perspicacity of his conscious gaze.  “I take pride in these tales, now I am the only one who know, more or less.  It is said also that in their mountains they wear their truest form, an go about like this... monstrueux.  When they are moved by some desire, when they seek rendez-vous galant with other creatures, they descend, an on their way, pass through a river... this water paints a face on them, comme par magie... one pleasing to us, an when they return, the river washes it away.  It is said too, as they grow older they look, day by day, more like the altérité, an less of you an I.  Something to keep you awake at night, eh?"  

Susan glanced up from her plate.

"It takes a bit more than that these days."

"I feel I should apologize, for this...” he confessed, touching his hand to his neck to indicate the shallow concave on her own where Siobhan's assault still glowed pearl white and unreconciled.  “I don’t know why.  Vampyres... they disgust me, even Belyaev, sometimes.  Not one in a hundred escape as you have done." he assured her.  "Someone look out for you."  
“It was Edward.  I’d probably be heaving up chicken blood somewhere if he’d decided not to bother.”  He laughed and crossed himself.  “The downside is... now I’ve got vampyre goggles and I can see the mingers everywhere.”  He seemed perplexed by her terminology.  “It’s like having a lot of really horribly ugly naked people standing round you on the beach.” she explained.
"Quelle chance.  You know now, never to trust them, nor anyone who serve them.  If they have not sold your blood to a friend while it is still in your vein, it is because this would be sharing you.  Easy to become confused by the cape and fangs and all the movies, but that is theatre.  They are not."  
“What about Petrouchka?”
“I love her, but I don’t trust her.  Alujha... trust them, love them, let them buy dinner, but don’t wear your best négligée an ah... don’t run, you know?  Never run.  Witches... ingénieux, amusing, as long as you don’t talk politic or religion.  Vampyre... don't drink their wine.  That’s everything you need to know.  Now you have a nice big scar and it is, how you say... c'est hardcore, and people will take you seriously... no bad thing.  I would still have you, after all.”  Gideon's smile wandered to the glassed doors behind her, and he excused himself, walking around to pull the curtain closed, the thick sound of the drape upon the carpet overlaying that from the lawn outside that had prompted him to tactfully occlude the view of the garden.  “You know something?  Never mind what I have just told you... at the heart of everything, there are only two people... the one who love order, and the one who love freedom.  For a happy life, you must know which you love best, and go always in this direction.  C’est facile.  Prends ton courage á deux mains.  Take courage in both hands."

Susan shook her head at the fresh bottle he suggested.

“If I don’t sleep, I think my face will fall off.” she admitted.  
“I will walk with you, make sure there is no Luc under your bed.  He is a devil.”

In her suite, the fire had been replenished and the quilts turned down, her dresses ushered into a vast armoire and the candlestick she had snatched from Commoriom Drive set on the bedside cabinet, considerations prompting her to frown as he assured himself of their commission.

“You don’t have to make them hide.  I like Étienne.” she insisted, perplexed by the reticence of his retainers.  Gideon appeared unmoved.
“The discipline is good for them.”
“I was a bit worried about coming here.” she added.
"Don't worry.  The future is for seers.  We don't share their curse."  He came forward and, with a hand on each of her bare arms, pressed a measured kiss to both her cheeks, his grasp drifting to her elbows.  His scent, of hot-blooded skin, syrah and sage-green vetiver, stayed with her when he stepped away; Gideon made a small bow in the doorway.  "I won’t be here tomorrow, so if you would like something in town, I can bring for you...”

She shook her head.

Against the drunkenness that flushed her face, she pushed open the window and leant out, into the cold blown in from the parterre.  It shouldered its way past the brocade and wandered through the shallow little chandelier over her bed, leaving a cool, wet clatter in its troubled glass and pushing the door against its frame.

C O N T I N U E D   N E X T   W E E K
© céili o'keefe  do not reproduce

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liked this pic by  Dominika Komowska

20/2/2015

 
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SIMPLE STORIES, chapter III
"Silencio"
pho, stylist and retouch by Dominika Komowska
mod Anna Wobalis


Aloe humilis & a humilis x mitriformis (perfoliata) hybrid, in flower.

19/2/2015

 
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This year's inflorescence (Nov '14) is emerging in the pic overhead, along with that of the humilis x mitriformis hybrid directly behind it sporting bronzy winter-dry stress colours.
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I can't for the life of me remember where I acquired this little species, but I'm glad I did.  I have a lot of success with dwarf and Madagascan aloes; that is er, largely accidental and it's often only after a few years of haphazard ignoramus cultivation that I discover this or that plant is supposed to be exceedingly difficult.

< Aloe humilis, the teal-green number in the foreground here is neither difficult nor Madagascan, hailing instead from the Eastern Cape region of South Africa, according to Aloes: The Definitive Guide (Kew), where it frolics amongst a landscape of low, dry scrubby bush.
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Humilis is apparently quite a variable species both size-wise and in growth habit, some remaining solitary, others forming dense, sprawling colonies that flower in concert and must be quite stunning when viewed in situ. 

My plant is a bright oceanic green with a powdery bloom that makes it look blueish.  It's mature at 10cm high and wide, flowering reliably for a couple of years and now beginning to pup at the base, so this is probably max individual size for this form. 
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Above and right: The exceptionally beautiful flowers.  They hold in this tight vertical formation until the individual florets begin to turn down and open in graceful sequence, dripping copious amounts of nectar.  I always turn the racemes away from neighbouring plants so the honeydew doesn't leaves sticky puddles on their leaves. 
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Left: Flower detail. 

These images may appear almost over-saturated, but I actually turned down the exposure in an attempt to tame the rabid lime and day glow orange blooms that are a hallmark of the species.  They take a good four or so months to open from start to finish, but it's well worth the wait.

Below: My humilis x mitriformis hybrid.

This plant came from my favourite hobbyist supplier and it's a spiny copper and olive little monster.  It was labeled 'perfoliata hybrid' which, as every plant dweeb knows, is a mysterious and exciting designation.  Aloe perfoliata is a synonym for mitriformis which is probably the more accepted name.

I suspected a humilis parent and though you can never be 100% sure, the similar spines, habit, timing and flower spike is proof enough for me.  You can see the spike emerging in the shot below; it was about a week or so behind the humilis proper but soon caught up.  Their relative sizes are demonstrated in the shot below right.
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Neither plant gives me any trouble at all.  They sit outside all year round, kept dry but unheated in winter (down to around -2ºC min) in large-grade pumice and proprietary cactus mix.  They're watered about once every two weeks in summer and not at all in winter.

I'm looking forward to prodigious colonies of both.
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This plant enjoys the typical lizard-green, slightly 
suede-y skin of the Aloe mitriformis parent, with form and flower characteristics being split pretty evenly between its two progenitors (you can see the mitriformis influence in the spacing of the inflorescence to the left here)  It too has begun to pup from the bottom so I presume this is its ultimate individual size.  
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liked more of this Thom Browne Fall RTW goodness

18/2/2015

 
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The whale dress: aiiiieeeeeeeeeeeeeeeeeeee......................

See it here in the NYT


Monday slash Tuesday: Morning wood

16/2/2015

 
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And afternoon wood.  Evening wood, even.  

Yes, it's the last month of summer and that means our thoughts turn to the acquisition of winter fuel.  Preferably gratis.  

Midway through any given January we become obsessive chattering wood monkeys, always looking looking looking for the free stuff.  To that end we have been depredating massive rounds of cypress and pinus felled by contractors in an extremely awkward place on public land before xmas.  We have to get it over a chainlink fence, up a 45º hill, down the road and into the front yard by wheelbarrow, where we hit it with a log splitter and sledgehammer and stack it, in the hope it will be dry enough for winter.  

Because every last bit of timber that goes out of control for a millisecond crashes unerringly in one's shins and calves, an unbelievable number of highly impressive bruises mean our legs look like they died three weeks ago.  And I was bitten by a fucking big spider yesterday.

A few salient principles offset the tiresomeness of this protracted drudgery. 
For instance, we're not in Syria dodging barrel bombs and low-functioning excess males (how galling it must be that so many of them are imported, like there's ever a shortage of local fucktards) with automatic weapons and a sense of universal entitlement- just one of the many, many things that makes old-school manual labour feel like privilege.
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Also, we're saving ourselves half a grand (firewood is ridiculously expensive here) with a free gym membership thrown in- all this force majeure is interval training like you wouldn't fucking believe.  
Somebody get me a bloody Marvel franchise (but not with a Loki, or that Australian prefrontal lobeless-looking dipshit) because I can kick so much arse right now.  With a sledgehammer.  My left bewb could smack the shit out of ScarJo with one hand behind its back.  I know she's only five-nothing and by all accounts something of a mouthbreathing dullard; I stand by that idle, vainglorious claim.

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Hard work doesn't make you free, obviously, but we both decided quite a long time ago that we'd rather shovel shit than eat it, to be perfectly frank.  Better to be farting on the meringues than paying someone else to dump them on your plate.

< In other news, the domestic potato harvest was pretty shitty (as predicted), with the Purple Hearts dwarfing the other layabout varieties, who might as well have been wearing stained velour trackpants and picking their noses with Grand Theft Auto on pause while their phone vibrates against their genitalia unbeknownst to anyone else in the room instead of leading productive lives.  

Exotic potatoes.  I know they're going to be the highlight of February 2015 and it's only the 16th, for fuck's sake.  Which is probably why I'm this fucking chatty so early in the week.

Groove Armada.  Hate the name, only like 2 songs.  This one's for drying dishes and chopping wood.

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liked this pic by Trevor Drummond

16/2/2015

 
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by Trevor Drummond
littlebrickbox.com

I had exactly the same fucking idea for a pic two mornings ago, complete with high key shit except against our black bedroom wall instead of a pale ground.  Oh well.  Trevor probably did it better.


The Blackthorn Orphans Serialization:  Part 2.    Inter Alia

14/2/2015

 
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Though she had devoted little time to speculation on the long ride south, Susan found the Auberjonois demesne far larger and less quaint than she had imagined.  The antiquated oaks that overloomed its single road had thriven and extended into the prodigious symmetry permitted by the valley's secluded footprint, the giants amongst them a credit to the unwavering esteem of their protector.  Greening, overgrown Roman stone declared an entrance manned by two armed veterans of Gideon’s circle, as of the forest as lions were the plain, saluting the elderly limousine from their stations on the weathered masonry.  The vehicle crawled slowly over the uneven ground on thick springs, its mirror polish assuming the enclosing wood; she wound down the window, blinking at the sunlight fluttered through the butter yellow leaves, the colour heaped over the black roots that spanned the mould like veins.  Their deep, insistent conjugation with the willing earth seemed like something unimagined by the stately boles and canopies, their sustenance traded mutely in the elements beneath, their fallen foliage granting a careless, partial modesty.  The smallest clockwork creatures wore their fur amid the mottled drifts, the rapacity of their preparations for the coming season expressed in flicking tails and lightning beats across the road.  Susan smelled, and thought she heard, a river lying in the depths alluded by the descent to the east, but could make little of it between the trees, those dissociated from the trail standing as though with their faces turned, concerned more with one another than any passing intrusion.

They rode on until the oaks relented suddenly, exposing a broad shoulder clothed in open meadow, its exhausted colours beaten down, vigor spent in expectation of repose.  A scolding flock of jays scattered into the air before their vehicle, flashing turquoise, planing away over a low line of yews that divided the meadow from a parterre garden, its dramatic, finely-demarcated textures like figured embroidery in lavender and sage, its bib of felt-green lawn pressing right up to the house itself.  

The structure's two modest stories had been raised from the granite of the surrounding gorges and topped with a sloping hat of stern blue slate, reaching into eaves that were the equal of the region’s winters; arches of the same native stone framed narrow windows set with blinkered wooden shutters.  Her face had lost its dour incomprehension as she glanced at her companion, and Gideon looked up from the newspaper in his lap in acknowledgment of her appreciation.  

A short stone bridge spanned a ditch trickling with a stream that pushed through nodding grass, the long car easing on through gates pinned against the stout walls of an arch into a yard enlivened with topiary conifers; two baroque bronze dolphins spouted a pattering stream over their own flanks in a shallow black plane of water.  Gazing upward, she saw the walls wore carven masks that had lost their rudest features to the rain and snow, so that their malevolence seemed subtle and considered.  Over the kitchen door a weathered viper grasping its tail had been worked into the frame.  Gideon smiled at her notice of it.

“I love the snake.” he admitted.  “It is so blameless.”

The servants' kitchen was full of thick scrubbed pine and bright, mismatched Ardéche chairs, the impression elevated from agrestic simplicity by artful arrangement, continuing the graceful, almost unearthly standard of luxe that had enfolded her since their association, as though at the insistence of some lavish national divinity.  It had lightened her mood en route, but the prospect of inhabiting a stranger’s house returned the frown to Susan’s face.  Intramural formality began in the adjoining hall, almost a room in its own right, molding picked out in three shades of creme and duck-egg blue; away from the deep-set windows the rooms lost all touch with the world outside and became an insulated refuge.  A large suite had been readied for her deep within the southern wing, its plastered walls framed with gilded gesso, deeply-buttoned fauteuil standing in the corners dressed in bloomy tearose silk, the cloth repeated in the plump quilts asphixiating a bed headed with riotous rococo boulle in the forms of swans and banners.  An enormous blaze lapped willow slabs and pine cones in the open grate, betraying the presence of servitors that she had not yet espied.

“I cannot tell you how long I take to choose the colour... my decorator tear out his hair.” he told her, setting her pack down on the ottoman.

“It’s... lovely.” she assured him, placing the only bag she had been permitted to carry beside the others.  “But I would have been happy with the couch.”

Incomprehension crossed his features, and he shook his head, as though politely disregarding some unwitting insult.

“Sussan, first, I must say something to you, an I don’t want for you to be alarmed.”  He swept her toward an adjoining bathroom with a gesture.  “I don’t know what Sachiin has told you, but, this place it is a hahdri as well as my home.  You know this word?”  He nodded with her.  “Good.  It's okay right now... you could sleep on the parterre, pas de probléme.  But the moon, she make the rules... respecter les régles, eh?  Your friend has his teaspoon... I don’t like him to kick my ass from here to Lyons because someone stand downwind of you.”  Gideon nodded toward the garden.  “Don’t go outside at night, not ever.  Your room is on fire, okay... but if you want to walk, I will come with you.  Never alone.  An I cannot let you leave this place until Sachiin send for you.  You are in my hand now... this is an old rule, an we keep to it.”  She nodded again, more slowly.  “Sometime, I must go for business, an then Luc will look after you... en cas d’urgence, you must leave everything an go with him, Étienne, or myself, whoever come first.”  He shrugged, smiling.  “That’s all.  Now Sussan, you must be frank with me... what do you think of this?  It is not, how you say, ah.... mauvais goût?"  A long curtain of pink and gold toile hung over an enormous oval tub of rosé marble veined with vanilla inclusions, its steaming water topped with jasmine-scented froth.  

"Tacky?" she suggested, smiling as she scratched at the back of her head.  “I'd call it... happy.”  

He lapsed into a chuckle and nudged her with his elbow, pronouncing her name so that it sat proud, like a sunlit isle amid his observations.  

“Sussan... elle est tout á fait ridicule."  

“William would say it looks like a dead duck’s guts.” 

"Such exquisite vulgarity.  Maybe the soap should be white, who can tell?”

“Well, a few weeks ago I had to burn furniture in the back yard to get hot water, so I’m just happy when the taps work.” she confessed.  He shuddered in sympathy.

“Maison Bucket, eh?  Quelle horreur.  People ask me, why don’t you stay with them, Auberjonois, but ah... if you must ask, you haven't had the pleasure.  So, now, you must excuse me... my cook he has the pox, an I wear the apron tonight.” he explained.  “I like to dress for dinner.  Perhaps you have something to wear?”

He watched her transfer the contents of her pack onto the quilt, keeping it in tidy piles as she sought out her cocktail dress.

“Everything I own has bloodstains.” she confessed.

“Leave them outside for Étienne... he is like Jesus casting out the spirit into the swine.” her host advised, touching her arm with another of his ingratiating smiles, before leaving her alone.  She left the bed to stand before the fire, lifting her dress to warm her bare legs.

C O N T I N U E D   N E X T   W E E K
© céili o'keefe   do not reproduce

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Kitchen Bitch: Rabbit Casserole

14/2/2015

 
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Here in New Zealand, feral rabbits are an ongoing environmental and agricultural disaster, munching crops, degrading natural ecosystems and supporting a range of terrible introduced predators of our native wildlife.  If you're going to eat meat, wild-caught pest species are probably the most ethical choice you could make and we have no qualms about consuming them, one furry little apocalypse at a time.  Dick the hunter down the road thins out the rabbit plague on Otago peninsula on a regular basis and he dropped a few off for us the other day.  You rule, Dick.

In regard to public acceptance, rabbit meat has disappeared down a bit of an intergenerational rabbit hole; once widely appreciated, these days it tends to be spurned by a lot of older baby boomers who equate it with growing up poor and having little else while most younger folks are just completely unfamiliar with its inoffensive versatility.  A single bunny costs $20-30 each in the supermarkets here (when it's available at all) which is just fucking ridiculous and hardly encourages converts.  

So don't feel bad if you've never had the pleasure.  And don't worry that your more conservative associates will turn their nose up at its gamey exoticism.  As far as flavour and texture are concerned, even wild rabbit is virtually indistinguishable from a mature free-range chicken; look at the fresh cuts below and ask yourself how many neurotic neophobes would be able to spot the anatomical differences.  Lol.  Just lie and they'll love every freaking bite.  

The usual free-range culinary caveats apply- slow cooking is best, and one-pot recipes do it all the favours.  The one I've used here is a version of my universal free-range/game tomato summer casserole with ingredients easily culled from the garden or purchased cheaply in season.  Stuck in winter?  Just replace the zucs with canned red or white beans, celeriac, carrots and spuds and serve with some steamed brassicas.  

This dish is nutritious, relatively economical, ethical, paleo-adjacent and virtually free of sloppy carbs.

W H A T   Y O U ' L L   N E E D
These measures and ingredients are meant as a rough guide; don't fret if you're short or overflowing.  Being of course skinless, rabbit is bland and lean and tends toward dryness so I pump up the fatty/savoury factor with a few spicy sausages, but you could use a good dry bacon if you're short on meat. You can throw in wine or stock if you have it lying around.  We try to limit our refined starch intake (because that shit works) and use boiled potatoes as a foil here; quinoa, pasta, couscous and brown rice are perfect too.
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- 500g to 1kg of jointed rabbit
- 2-3 small dry smoky sausages ie. chorizo
- 1 400g tin of tomatoes
- 1 small tin or two tablespoons of tomato paste
- 1 teaspoon sweet smoked paprika

- 2 tablespoons of plain flour
- A massive handful of green herbs (I used bay, thyme & oregano but whatever you prefer)
- Big teaspoon of cracked black pepper 
- 1 head of garlic, chopped
- 2 large zuccini or squash +/or 1 medium eggplant 
- 2 really big handfuls of diced mushrooms

- 1 tablespoon of quince jelly or relish (optional)
- 1 big chopped onion

- butter and oil for frying

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Pat your meat dry with a paper towel; combine flour, paprika and pepper > and use this to dredge or coat the raw rabbit.  Shake off the excess flour mix and fry these pieces in a pan in a mix of butter and oil with a bit of garlic and bay; you just want to brown them as per below.
< This is about 700g of rabbit which is about 1medium-large dressed beast.  Leave roughly jointed or cut into smaller portions.  Put the oven on to around 200 ºC.  Get all your vegetables, garlic, sausage and herbs chopped as per above image, open your tins and then set them all aside somewhere out of the way. 
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Once browned, transfer them to a big casserole dish and use the same grease to brown the onion, sausage and garlic.  Make sure it's all well-caramelised for maximum flavour.
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Transfer everything to the casserole dish as you go, frying up the remaining vegetables.  If you're adding pulses, throw them in with the rabbit now.  If it's not too burnt, deglaze the frying pan with water or stock (up to about one and a half cups) and pour into the dish along with the tinned tomato, tomato paste, herbs and maybe another dash of paprika, salt and pepper.  Add your relish or quince paste; a nice bit of jam or wine will stand in for the latter.  Mix thoroughly.
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Commit the casserole to the oven for anything from 1-2 hours, depending on the volume and liquid content of your final assembly; just keep checking and stirring.  I turn it down to 150ºC halfway through if I'm not in a hurry, but today this one took 80 mins @ 200 ºC

You want to reduce it to a syrupy, concentrated deliciousness, transforming it from the bountiful promise below left, to the glistening spectacle below right.
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Ka Pai!   Put some spuds on to boil 20 mins out from your ETA and serve on warm plates with some fresh bread if desired or whatever starch or grain you prefer.  It's always better the next day, so make it ahead of time if possible.  

This casserole provides a stream of delicious leftovers; just keep in mind that wild rabbit can toughen if reheated too briskly and removing the meat from the bone for your second round is probably optimal (if you're fussy about that sort of thing.)  The mix can be used in a pie or pastie-type situation, tossed through some stir-fried green vegtables (I like a kale and broccoli mix) or piled on toast with hunks of cheese grilled over the top.  I've used parmesan over this lot >

Though it may seem counterintuitive, eating these kinds of meals has helped me lose a shit-tonne of weight and get fitter and stronger than I thought possible.  I've detailed the theory and practice here if you're interested; I'll post more about the continuing process soon.

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liked this image by Sit 

13/2/2015

 
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HITO (2014)
Sit

Photos du Jour: Dirty feet & summer shade, Port Chalmers NZ

12/2/2015

 
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At home on the little deck we built.  I tend to take the same photos every year and have decided to accept iteration as its own peculiar reward, in lieu of wisdom.  

Cycles are the signposts of persistence- endurance, even.  

To live as we prefer is to succeed.
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Monday/sort of Tuesday 2015: back in black.

11/2/2015

 
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So, how's it been for you so far?  2015's sucked big dog's bollocks for us, with post-xmas malaise and inevitable poverty, the loss of our lovely Moo and a general feeling of thinking it might be better to sit this one out.  On the other hand, it's been great if you brake for lilies.  We do, which is fortunate.

Life is a hideous thing, to quote Howard P Lovecraft, but it does tend to grind on, regardless of your consent or level of participation.  This is my third year of blogging; I tell myself most people don't make it to six months so... there's that.  Looks like I'm much more of an oversharer than I suspected and certes, you will be subjected to more of the same.  Doubts may have presented themselves over the holiday period, but we still have shit to say.  For better or worse.

This mouldy parsnip > pretty much summarises my current state of mind; withered and declined and yet transfigur'd by both the passing of time and the forces implicit in destruction and renewal.  What started out as a bargain-bin out of season tuber and a delight to no one blossomed into this mighty cyclops, if a cyclops was ever ambushed by a friend-of-a-friend's full-swap keyparty.  Well it made me laugh anyway.

In the spirit of this new lunar year nihilism let me confess that I've announced a return to the regular blog schedule without actually writing anything worth reading.  Let's see how well that works out, shall we?  We've been watching lots of movies and I really want to reform the film review format with a view to meaningful condensation, so I might kick off with some Hostile Witness shit.

The last Blackthorn Orphans excerpt closed the first part of the book.  If you've put off starting from the beginning, now's a great time to scurry back to chapter one and catch up before things get really fucking messy.  Am I the kind of writer who clips their best characters just for the hell of it?  Would I yank your dicks with dirty backwoods sex, historic horrors, dreadful revelations and bloodspattered cliffhangers?  You could go with your ethical inclinations and pay the whole $3.99 I'm panhandling for (because my greed knows no bounds) and find out a whole lot sooner.

In the meantime, Interpol.  I really like their latest drop, El Pintor, but I miss Carlos on bass so we'll have some of that shit right there.  There's something oddly compelling about this video; those bass strings jumping like that and Paul's anguine passivity feels like an eight point five bad touch in a quiet supermarket aisle.

It's nice to be back.  Hope it's good for you too.


liked this image by Wetplatenudes

10/2/2015

 
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Neptunian Haze. 11.2014
4 x 5 film

The Blackthorn Orphans Serialization:  Traffic 3 (part 6)

7/2/2015

 
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It was the blown, wet-stone smell of dawn and the blanched and aqueous colours assumed by the morning already birthed beyond the curve of the horizon that woke Susan, to the prospect she had deferred.  The interior of the unfamiliar vehicle redoubled the sense of displacement already gathered around her like a stranger's garment, its grey weight small welcome to day.  They were parked alongside a broad field of asphalt and a half-dozen private aircraft, blank-eyed, standardized steeds.  Dust and avgas vapour swept through the tall chain link beside them; she sat without moving, gazing through the window at William, who stood before the barrier, making a thorough survey of their surrounds.  The set of his shoulders expressed both the diligence of the precaution and the disinclination with which he struggled and he brought it back to the car as he sat down.  Words came slowly to her, volunteering themselves in a reluctant shuffle, like creatures summoned out of hiding.

"What's the time?"

"Six.  How did he take the Frost news?" he asked, picking burrs from the edge of her skirt.

"Better than I expected, at first, but then he... it wasn't... good."

“Did you get the gooseberry eye?”  He mimed it for her.  She nodded.  “After that, you’ve got about eight seconds before body parts start pinging off the ceiling.”
"I know that now."  Susan opened the glovebox before her then tried to cram it shut, too late to stem the flow of wet wipes, hair ties and brightly-cased singalong CDs into her lap.  Together they stared down at the alien artifacts, William grimacing as they returned them to their lair.

"This is why I don't steal cars... now I feel like we've got soccer practice, and then we have to pick up Macy and Brianna from ballet."  They shuddered together and he smiled, almost hesitantly, though her expression pushed his own back into distress and he drummed a foot on the floor of the car.  "Christabel... ishah y'li sidati... I can’t let you go if you’re not dealing with this better than I am.”
"I am." she sighed, digging through the contents of her bag.  He watched her, smiling briefly.
“How long will you take to get into Auberjonois once you're in the air?"
“I don't know." she replied absently, looping the strap of her bag over her head.  "I'll have to wait for the seatbelt sign."  Susan leant across to take his chin in her hand; he closed his eyes while she painted lipstick on his mouth with careful strokes, moving only as she leant forward and kissed the colour onto her own.  "We have to go...”  She conceded the syllables in exchange for another slow taste of him, her hand loath to relinquish his neck.  

Dust flew from their footsteps as they strode across the gravel verge and he stooped to wrench the chain link free of the ground, holding it up for her.  Susan rose on the other side, brushing off the sharp stones pressed into her palms, her face beaten colourless by the cold wind.  Once more she felt the drag of the ineluctable current that had already borne her so far out into terra incognita that it eroded the very certainty of the ground beneath her feet, the distant, industrial drone clashing with her thoughts like static.  Gideon’s aircraft was a sleek work of cold white art upon the tarmac; a fat fuel truck disengaged from it and rolled away slowly, an orange light flashing on the roof of its cab.  The plane was larger than her worst expectations but did not approach those far more comforting dimensions of her limited experience, lit softly gold from within, its owner standing in the curve of a doorway set deeply into the fuselage.

“Don't go back to the house." she murmured to William, brushing the dust from her bag.  They halted at the foot of the slightly battered set of steps.

"It'll be taped off by now."

“I might never see you again, either... these fucking death traps crash all the...”  William lifted a hand to her mouth against the portentous nature of the observation; she took it in her own then between her teeth, and he bent to embrace her.  She held him so tightly that his bones began to hurt her arms as Gideon descended the steps toward them, tugging down his cuffs and smoothing a hand over his head.  Winding a length of William's hair around her fingers, she yanked it free, closing it in her fist when he set her down and rubbed his head.  “If I don’t see you again, I’ll find a witch and curse you.  How do you say goodbye?"

"We don't, really.  Is Pet with you?" he asked their host, keeping hold of her hand.

"She is inside, asleep already.  That colour, it is wonderful on you." Gideon smiled at the faint, wandering shade of coral on his lips.  "An you look very lovely tonight, Sussan.” he added, casting an eye over her grimy, blood-spattered person.  William crooked a finger at him, to which he smiled again, inquisitive.

“If she tells me that you or anyone else so much as looked at her the wrong way, I’ll neuter your whole sleazy fucking tribe with the same teaspoon.  Je suis fucking sincére.  T'as intérêt à lui coller aux basques sinon ça va barder pour toi." 
“Have no fear.  She is in good hands, bijoux... the best hands.  You may find she does not want to leave... then what will you do?”
“I just told you, so write it down.”  

"Bonsoir, serpent-visage.” Gideon called, fluttering a hand at the warning finger William kept pointed at him as they ascended the steps.

“Bon débarras, grenouille stupide.” the latter replied.

Gideon swept Susan’s luggage from her grasp, shepherding her into the plane before she could further delay their departure.  Its interior was a secluded study in dense, bewildering, transplanted luxury, its perfumed air as warm as blood against her face and neck, the curving cabin panels lined with a caramel skin of dappled maple and reclining chairs in black, glove-soft Italian leather.  Luc and Étienne sat behind automotive magazines and comics in the rear; they smiled up at her from beneath their headphones.  Gazing along the narrow aisle, Susan chose a seat behind the door, the soft squab deflating slowly beneath her as she sank down.  

On the tarmac William lifted his T-shirt from his stomach to wipe his streaming eyes, still weeping as he let it fall and walked slowly backward, hands clasped on his head.  She pressed her lips to the double pane as Gideon sat down beside her, looking past her shoulder.

“Look at him... crying, comme un grand enfant." he chuckled.  “What is this?”  She glanced down at the fist imprisoning the hair from William’s head, unfurling her fingers; to her dismay, her palm held only translucent dust, like finely-powdered glass.  He tisked.  “Per'aps you were holding it too tightly.” 

The engines roared on either side of them, pressing her back into the seat, their velocity climbing exponentially and without preamble until the floor tilted away from the tarmac.  The  jet followed its nose into the air, turning a half-circle over the brightly glowing city and its dark blue arc of hills.



                                                        E N D   O F   P A R T   O N E
                                                                           
                                                                               *


This chapter is now available to read onsite in its entirety.

C O N T I N U E D   N E X T   W E E K
© céili o'keefe  do not reproduce

*   I'd like to keep writing.  You can help- buy the Book   *   Catch up onsite   *


liked these frozen methane lake bubbles by Paul Zizka in the Guardian

4/2/2015

 
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