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Nightwalking, Port Chalmers Pt 3

16/4/2020

 
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This pandemic is the socialised cost of exploitative globalisation.  I thought about that, wandering around beside the Pacific Ocean under a full moon.  Like all shitty concepts, unfettered capitalism needs to hide its stinky, dysfunctional arse, to privatise its profits and kick the cost of everything else off the books in order to look like something that actually works.  I hope a lot more people are understanding that, feeling the true shape of it.  What we are doing now only works as long as the teetering garbage mountain of karmic and practical consequence doesn't shift and crush us.  This disease is just a little bit that broke away and flattened the garage.

I've followed epidemiology for years now, and you might not want to hear this, but Covid 19 is actually a bullet dodged, relatively speaking- wrap your head around those implications.  We have a great opportunity to change our heading, but... that's not going to happen, is it?  A man threatened to assault us today for questioning his lockdown-busting public fuckery.  He had his elderly father in the car with him.  

We are so fucked.

If you're groping for epidemiological context and why Covid 19 was not made in a fucking lab (it is a basic bitch zoonosis; they happen every day and don't need help), you could do a lot worse than read The Coming Plague by Laurie Garrett (1994, Penguin).  Prescient, chilling, awesome.   

I'm pretty discouraged about moving from Level 4 lockdown (everyone stays home, nothing's open except supermarkets and essential business, no gatherings or school etc) to Level 3 in a week, here in New Zealand.  We have seen so many selfish, clueless breaches of L4 that if the virus had been 5% more virulent or dangerous, half of us would have it by now.  There's nowhere near enough random/sentinel testing to draw definitive conclusions about the true extent of community transmission; with estimates of up to 40% asymptomatic cases (worst scenario, but not out of the question) and suggestions of an associated array of organ damage, my morbidity is starting to feel like a big fat fucking comorbidity.  As you may have observed in your own country, a lot of people don't give a shit about observing responsible procedures.  They do not and cannot be made to understand the dangerous roulette of exposure and exponential transmission, and they will cite the very success of any public health measure as proof there was no epidemic and it was all a false alarm by libtards and the kind of weird science people who made them feel stupid at school.

Fucking A, I'm ranting.  I didn't live this long to die at the hands of retards.
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Unless you want to haul serious gear around or spend hours fine-tuning your settings, you have to let go of technical quality at night.  I'm a primitivist anyway, and prefer images that recall the shortcomings of the human eye in darkness.  The greasy murk of Back Beach still holds sway under a supermoon; potholes in the dusty road are always trying to twist your ankles after sunset.   
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Export logs are usually piled high between these steel stays on the wharf at Port Otago, but the timber boats have cleaned them out for now, leaving an eerily henge-like installation.  

​I love this image.
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The rusting primary hues of industry are a sort of dirty visual candy at night.  Strobes, bleeps, colour blocking, percussive impact, robot motion.  It looks like christmas, and there's no Mariah Carey or emotional blackmail.
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Always consider that you might be standing in the very thing you're looking for.  I walked right into this puddle groping for the angle and saw nothing, until R pointed out the reflection from the other side.  I love the satiny black ponding and bossy, lurid markings in the darkness.
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It's so good, it goes further.  This is actually true.
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I know I was downplaying technicalities, but fuck I love this picture ^ and am determined to improve the quality so I can get a decent print out of it.  
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Part Four ensues.  Lucky you.


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